Deceiving Characters In Macbeth: Macbeth, Lady Macbeth, and the witches In the play Macbeth, written by William Shakespeare there are many characters with appearances that are deceiving. The three characters that are deceiving are Macbeth, Lady Macbeth, and the witches. Macbeth shows loyalty to King Duncan in the beginning of the play. Macbeth’s appearance is deceiving because later on in the play he ends up killing Duncan. Besides Macbeth, Lady Macbeth also shows her character is deceiving by planning how Duncan will be killed.
The devices make a suspenseful, shocking, spine-chilling play. This book is nothing short of ironic; Shakespeare uses the rhetorical device irony all threw Macbeth. For example the thane of Cawdor is killed over committing treason and treachery against the king, only to give the title to Macbeth who plans to commit worst things to the king. The king even goes on to state after killing the thane of Cawdor that “There's no art to find the mind's construction in the face He was a gentleman on whom I built an absolute trust” (I.IV.15). To then put his trust in Macbeth only to be betrayed by him.
This is right before Macbeth will kill Duncan. On his way to murder King Duncan, Macbeth sees the vision of the bloody dagger leading the way. Significance: It is clear that Macbeth is insane. Macbeth has been convinced into the action not by his own reasoning, but by his personal insecurities, played upon by his wife, the witches, and his own ambition. By the time Macbeth’s mind conjures up a dagger for him, he can see the murder as a conclusion, not a question for his consideration.
To what extent is Macbeth responsible for his downfall. Macbeth, despite the influences of the witches and Lady Macbeth is ultimately responsible for his downfall. In Williams Shakespeare’s play Macbeth, our protagonist Macbeth is a hero who destroys himself by his own evil and selfish ambitions. At the beginning of the play, our protagonist is pictured as an honourable, noble hero who has bravely led victory in battle. As the play continues, with the foreseeing witches and the deceptive lady Macbeth, he quickly turns from a courageous strong hearted man, to a tyrant king who is willing to commit the unthinkable to withhold his royal status.
As the play goes on, Macbeth slowly looses his morality as he strives for more control whilst Lady Macbeth steps into a frantic stage of guilt. After killing the king, Macbeth starts to plot other evil undertakings as he becomes nervous that someone will take away his power. At one point he goes from wanting to needing the sovereignty, which makes him loose sight of his integrity. As Macbeth begins to immorally act in order to achieve what he hungers, the line between good and evil starts to fade. “I am in blood / Stepp’d in so far, that, should I wade no more, / Returning were as tedious as go o’er.” (3.4.136-138) In this quote, Macbeth is telling himself that because he has stepped into evil so deeply, it will be hard to go back to morallity because he will never be able to rid of this guilt brought onto him.
Shakespeare does a magnificent job by using Macbeth to show the terrible consequences that can result from an unchecked ambition and a guilty conscience. Those elements, combined with a lack of strong character, distinguish Macbeth from Shakespeare's other tragic heroes, such as King Lear and Richard III, both of whom are strong enough to overcome their guilty conscience. Before Macbeth murders Duncan, he is plagued with anxiety and almost does not go along with the plan. It takes his wife, Lady Macbeth's persuasion in order to complete the plot. When is about to kill Duncan, Macbeth sees a dagger covered in blood floating in the air, representing the bloody course he is about to take.
Shakespeare further cultivates Macbeths quickly changing character through soliloquy and dramatic irony. His success in doing so is disclosed as the once ‘noble’ Macbeth goes against all odds to convey his idea of fulfilling the witches’ prophecies: to kill King Duncan. Macbeth also notifies us that to even anticipate slaughtering the sacred King is an act of treachery and betrayal nonetheless he delivers himself as quite motivated and determined to do so. The “horrid image”, “doth unfix” his hair and make his “seated heart knock”; his lust for ultimate power poisons his loyalty and decays at his integrity. As the play moves on, the audience observe the hasty crumbling of his devotion to God and the King.
No one to blame but Macbeth Decisions can be impacted by a number of factors; but in the end we have to be the ones to take responsibility for our actions. This is demonstrated when we see Macbeth transform from a brave soldier to a power-hungry murderer, feared by all his subjects. Macbeth is the one to blame for his own descent into cruelty and murder because he let his ambition, arrogance and greed take over his mind. While some may claim that Macbeth is to blame for his actions, others argue that it is the force of the supernatural that leads to his demise. Early on the witches reveal prophecies to Macbeth suggesting his rise to power.
He reveals his ambition through a small aside, where he sees himself killing Duncan: "If good, why do I yield to that suggestion/ Whose horrid image doth unfix my hair" (Act I, Scene III, Ln 145). As the play progresses, it is revealed that Macbeth has always had ambition to be more powerful, and with the witches prophesies, he sees an opportunity to do so. With all considered, it is true to say that Macbeth is completely packed with deception and betrayal. Near the start of the play, those who are good and noble appear to succumb to those who are filled with deception (ie: Duncan getting killed by Macbeth). As the play progresses, it appears that those who cause wrong receive justice, by getting deceived themselves.
However, once the notion of royal power is introduced by the Witches, the dam is broken and a cascade of corruption follows. This corruption leads to the murder of Duncan and Banquo by Macbeth. Once the thrown is obtained by Macbeth, more corruption ensues leading to his fear and neuroses. This destructive combination of fear and corruption leads to a wake of destruction for Scotland. Debuting in the play with auspiciousness, Macbeth slowly becomes corrupted by his new-found power, ambition and, most importantly,