Now days people see too far into issues and it simply just becomes an issue of wether it is politically correct or not. If Adam Goodes got booed because he was aboriginal, then every other aboriginal footballer would get booed yes? Adam Goodes is simply playing the victim and taking abusing his position as an aboriginal. If anyone disagrees with the conclusion that booing Adam Goodes is racist, they are seen as a politically incorrect and racist, as now days society cares more about what’s happening than why it’s happening. Most people understand that Adam Goodes is being booed, but they don’t understand why and therefore they hope on a prejudicial bandwagon thinking anyone that boos Adam Goodes is a racist pig.
Perry the council leader – you could say the anonymous artist worst opponent. He is a man whom nears great respect from his cooperative society. His respect is though on a downfall due to Perry’s greediness. Therefore he starts a companionship with Rossiter the chief architect trying to lure the anonymous in a trap – and by doing that he will without doubt get a huge wave of media attention around his catch and his personality – which could lead to a reelection. The similarity of the anonymous artist and Jesus is pretty interesting.
Red is the mediator or polemicist, meaning that he’s a smooth talker and debater. In Shawshank he’s know as the man that can get anything for you from the outside … for a price of course. He’s a crook with a good heart and somewhat good intentions, but he confides to the prison walls to blur the lines of reality outside in the real world. Inside the prison he has value to his name and his insecurities are concealed by the opaque violence, and hard stance of Shawshank’s environment. Hope motivates him, but he does anything in his will to cloak that fact.
Iago, to everyone else, seems like an honest and good man who will do everything in his power to help those around him succeed, but is really just power-hungry, two-faced and manipulative. He is, however, clever, cunning and philosophical, which can be accepted as positive traits. It is these traits that enable him to gain an insight into human nature, and ultimately exploit it, destroying the lives of those around him. Cassio is a character whom the audience don't know much about, but from the story they can understand that he loves his job as a lieutenant, and cares a lot about his reputation. This becomes clear after he is fired from his position, as he says to Iago; "Reputation, reputation, reputation!
In this scene, Roderigo is obviously the follower, the weaker character, he tries to please Iago by making racist stabs at Othello (“What a full fortune does the Thick-lips owe if he can carry’t thus”) relating Othello to “thick lips”, which could be a possible insult towards coloured people in those days. Iago is obviously bitter because of the promotion ordeal and the audience are now awear that he is seeking revenge. In this scene, Iago is in control, he appears to be the higher, more powerful man. He is confident in his ideas and determined to get what he wants. He confides in Rogerigo with his plan from the start so we are already able to create this true image of Iago.
Race also determines how Othello perceives himself as a rough outsider, though he is nothing of the sort. Othello's race sets him apart, and makes him very self-conscious; it makes him work hard and look carefully after his reputation, so he is regarded as equal to the white people that surround him. Pride Especially important with regards to Othello; Othello is defensively proud of himself and his achievements, and especially proud of the honorable appearance he presents. The allegations of Desdemona's affair hurt his pride even more than they inflame his vanity and jealousy; he wants to appear powerful, accomplished, and moral at every possible instance, and when this is almost denied to him, his wounded pride becomes especially powerful. Magic Usually has something to do with Othello's heritage.
The way Iago and Brabantio see him as a witch or a beast. He lives up to the reputation that he has created for himself. Othello see himself as a rough outsider, even though he’s not. Othello's race sets him apart, and makes him very self-conscious. He worked hard to gain his reputation, so he could be regarded as equal to the white people that surround him.
Although his actions are very insane, they can be seen as rational to reader considering hedonism. Devotion to pleasure, hedonism, makes Dorian be deceitful about his true self by deflecting the attention of the public from the mad man to the beautiful and intelligent gentlemen. Dorian is, young, sensitive, and emotional, meaning that he is susceptible to manipulation. Lord Henry takes advantage of that opportunity and gives Dorian the yellow book; this book opens up the world of hedonism and aestheticism which eventually turns his young life into an eternal oblivion of misery. Dorian develops a fear of aging so he tries to live his life as if it was his last day on earth.
In Henrik Ibsen’s A Doll’s House, the pride of Torvald blinded Torvald, and gave him a sense of manhood and superiority over Nora throughout the play until his pride was put to the test, and in doing so, revealed a weak and desperate man. Throughout most of the play, the pride of Torvald gave him a sense of superiority over Nora by the way he spoke to her in a superior way. Torvald made it seem as if she was a child. For example, He called Nora by pet names, “My little skylark” (1040), “My little Squirrel” (1040), and “My little song-bird” (1056). In each name, Torvald used the word “little”, as if to belittle Nora emotionally and intellectually to show his power and superiority over her as if she was his child instead of his wife.
This great build up of yearning to meet the malevolent and kind man known as Kurtz only to learn that he is a sickly old man that has been broken by white man burden is one of Conrad’s displays of modernism because this technique shows how man anticipations can twisted. This new plot of anticipation causes upset in the reader because they too were distraught by the real Kurtz. Most of Conrad’s Heart of Darkness was written in a perspective that gave the reader a sense of first