Creon and Antigone are both honourable people, yet both are fatally proud and that is the source of tragedy. To what extent do you agree? In the play Antigone, written by Sophocles, Creon and Antigone are both honourable people, yet both a fatally proud and that is the source of tragedy. Pride can take over the lives of people who have it within them. If the sense of pride is exaggerated it will lead to arrogance and therefore to problems.
Is Brutus the hero or villain of the play? To be precise, the question is not if Brutus was good or bad but rather is the place hero or villain better for him. It’s a mixed opinion but the majority of people will have to agree the Brutus is indeed the tragic hero of the play. Sure Mark Antony is the first obvious answer but Brutus has done things that even though might be unforgivable, if people were to closely examine his actions more carefully then indeed, Brutus is the hero of the play and this can be proven. Brutus is a loving character that over the play is well known by everybody and his love and caring trait is known through the following quote: “O, he sits high in all the people’s hearts; / and that which would appear offence in us, / his countenance, like richest alchemy, / will change to virtue and to worthiness.” (I, iii; 157-160) In this scene, Caska wants Brutus to be in the conspiracy as he complements him because Brutus was well known and definitely a great leader.
Others are indifferent to making the world a better place. It is the caring and selfless people who deserve and receive the most admiration, the ones who are here to enjoy life and make others' lives better. These admirable people are also the memorable characters in the best novels. They have their share of challenges and sometimes falter. These fictional characters are dynamic because they are imperfect; they have their faults just like real people.
All in all, the fact that Jackson tries to believe the readers that something good will happen because of the title’s positive effect on readers, but shocks them by finishing story unexpected ending shows the irony of the title “The Lottery”. Briefly, situation and title act a huge part related to irony in the story. I can easily say that what makes “The Lottery” a masterpiece is the Jackson’s use of ironies every part of it. Both are equally important to the irony and without them the story would not have been as interesting
Antigone, the Tragic Hero In the play, “from Antigone”, Sophocles portrays Antigone as the tragic hero. The King, Creon, possesses some of the qualities that constitute a tragic character, but does not have all of the necessary traits. Antigone, however, contains all of the aspects that are required for her to be considered the tragic hero. She is more of a hero then Creon for many reasons; she is brave, a good and upstanding person, she focuses on becoming a better person, and is consistent in her behavior. Antigone also obtains a fatal flaw that brings about her down fall.
A chance to fulfill arête, through competition with others. According to Aristotle, the best of the tragic hero would be art that should imitate life, in that people should be able to identify with the hero’s character in a play. People, as well as the gods, should be excited by either fear or pity. Aristotle did not feel that a true tragic hero was neither all good nor all bad; he felt that the average citizen had to be able to see themselves in such a person in order to be able to identify with them. Plato’s
Not every fight will lead to enduring tales of “glory”. Somax lives on among the lower orders of society in a world somewhat apart from the tragic realm of the heroic characters. His role as a storyteller is emphasized, an early forerunner, perhaps, of epic poets like Homer. The ideas expressed about storytelling are light-hearted yet thought-provoking. Where does the truth begin and end in what is termed “history”?
The seriousness of their love results from the lovers’ disrepudance (?) of artificial language of ‘love’ and superficial code they had tired by at the beginning of the play. This is seen through the development of language form beginning with rhyme (Levin- “Comedy set the pattern of courtship embodied in dance (rhyme)) heavily used in the first act to its replacement of Blank verse which representative of a for more logical and realistic tone. This also reflects a common Shakespearean comment on Appearance versus Reality which is often a deeper theme discussed in tragedy. Tragedy is said to be further represented in Shakespeare’s use of opposites or antithesis.
Unique Tragic Hero A hero does not need to be good, he just need to be the winner. In ancient time, Greek tragedy was not only a form of entertainment but also a tool to make people embrace The Gods. It endues emotions such as pity and fear in the audience that the protagonist’s affliction may happen to them. Thus, a tragic hero is extremely crucial to promote such emotion. Medea, an ancient Greek tragedy written by Euripides has Medea, a female character as the tragic hero.
5) The character's fate must be greater than deserved. Initially, the tragic hero should be neither better nor worse morally than normal people, in order to allow the audience to identify with them. This also introduces pity and catharsis, which is crucial in tragedy. Eventually the Aristotelian tragic hero dies a tragic death, having fallen from great