Amusing Ourselves To Death Analysis

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Amusing Ourselves to Death In the novel Amusing Ourselves to Death, Neil Postman analyzes the undeniable truth that the media, and its mediums, have caused a major cultural revolution. This dynamic shift from an age of the printed word, to that of the television, has created an epistemological transition that has led to the redefinition of the content and meaning of public discourse. The argument proposed by Neil Postman stems from the idea in which the entertainment power of images has caused the truth of these messages to be degraded and misinterpreted. Postman (1985) writes “we do not measure a culture by its output of undisguised trivialities but by what it claims as significant” (p. 16). Here Postman argues that televisions’ trivial nature…show more content…
Throughout Amusing Ourselves to Death, Postman (1985) discusses many affects that were caused by this major shift in technology; three of these dynamic media affects include: the loss of depth when it comes to what the media is presenting to its viewers, how the media has changed the way Americans view politics, and how the media has shaped the audiences ability to understand what is truth and what is simply entertainment. Sense 1985, the time Postman wrote this novel, there has been an abundance of studies performed on these particular affects of the media, and many of the recent findings can help support the claims that Postman (1985) made so many years ago, in regards to todays society. Through out his literature, Postman (1985) expresses his worry that Americans are becoming less media literate as the television is becoming more central to the American society, he writes “Telegraphy also made public discourse essentially incoherent. It brought into being a world of broken time and broken attention” (p. 69). Postman (1985) also discussed the idea that the television becomes most trivial and, therefore, dangerous when trying to present important cultural conversation topics such as: politics, religion, news, and education (Postman, 1985). This fear is in direct relation to the way the Digital Revolution has allowed the media to do more than what it was initially intended to do. In regards to this, Postman (1985) writes, “It is a world without much coherence or sense; a world that does not ask us, indeed, does not permit us to do anything; a world that is, like a child’s game of peek-a-boo, entirely self-contained. But like peek-a-boo, it is also endlessly entertaining.” (p. 77). As you can see through this peek-a-boo analogy Postman (1985) illustrates the fact that televisions image-based inability to provide thoughtful ideas needed for a media literate society. To dig a
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