Young Romance Depicted In “Araby”

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Young Romance Depicted in “Araby” I chose to write this paper on James Joyce’s “Araby” because I found the narrator’s childlike quest for ideal or fairy-tale love in this short story interesting. Joyce’s dark and gloomy tone at the beginning hints to the reader that this tale is not a typical romance between two young lovers, but more of tragedy. In paragraph two he really sets the dark mood of the story when explaining the priests former house before he died, “The former tenant of our house, a priest, had died in the back drawing-room. Air, musty from having been long enclosed, hung in all the rooms, and the waste paper behind the kitchen was littered with old useless papers” (Joyce 21). As you can see this story is not about young, dreamy love or affection, but about a boy coming to a realization that his idealistic desires for the opposite sex were childish and foolish. So when exactly did this realization or epiphany hit the narrator allowing him to understand that his obsession with Mangan’s sister was not of true love, and why did he come to this realization at the time that he did? This is the question that I would like to discuss in further detail. People who have read “Araby” know that the narrator decides to give up on his fascination towards Mangan’s sister only after visiting the bazaar and talking to the lady working there, but why? Why did he gallantly agree to bring a gift back to her when talking to her in person at first, but when arriving at the bazaar was too timid to buy anything for her? These are difficult questions that must be examined closely to draw a plausible cause for the narrator’s actions. We must remember that the narrator portrays himself as an immature young boy who seems to view the world in a positive light even though most of the adult life around them seems dark and grim. An example of the narrator viewing the world in an
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