Woman from Willendorf and Aphrodite of Knidos

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Woman from Willendorf and Aphrodite of Knidos The Similarities and Differences The sculptures of the past can provide an understanding on the development of art through many different time periods and cultures. Art from the Upper Paleolithic Period shows a sense of intricacy compared to the art of the Late Classical Period, who used cannon of proportions to carve the ideal sculpture. Both sculptures take the female form from two entirely different periods of time and successfully show the culture’s beliefs. The similarities between the sculptures are the striking nudity, both are women, curvature of the bodies, and both are three-dimensional sculptures in the round. Each sculpture expresses the sexuality that comes from their culture. When you view the sculptures, you can see the well-defined curves for their breasts, hips and thighs. It seems there are more differences between the two sculptures than similarities. The most noticeable differences are the time periods and the material they were carved from. Woman from Willendorf was carved in the Upper Paleolithic Period (c. 42,000-8000 BCE) out of oolitic limestone colored with red ocher, and the Aphrodite of Knidos was carved during the Late Classical Period (c. 450-400 BCE) out of marble. The size is another distinct difference. Only 4 3/8” tall the Woman from Willendorf could fit the palm of your hand. The people from the Upper Paleolithic Period moved around a lot, so the sculptures had to be small enough to move with them. Since the sculptors of the Late Classical Period were looking for an ideal figure form, the Aphrodite of Knidos was curved to be 6’8" life like. The body styles of both sculptures are vastly different. The Woman from Willendorf shows a faceless woman with exaggerated features of the breasts, hips, thighs, and legs. The body is very rounded with very little definition. Her
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