Therefore, I believe Manon hates her husband. This gives the impression to the reader that Manon is always negative and is harsh towards her husband, making people believe she is not loving towards him. However, the narrator’s restricted viewpoint could lead us to believe that she is biased and unreliable because she is narrating only from her point of view. Also, at the beginning of the games, Manon has a sympathetic tone towards the slaves and feels sorry for them because she says, “I couldn’t watch anymore.” This suggests that Manon feels ashamed of what she is letting her husband do to the slaves and that she feels sadness building up inside of her towards the slaves being treated horrifically. The dynamic verb of “watch” shows to the reader that Manon feels a little bit of pain towards the slaves and that she feels that they are only being used for torture.
Aunty Jean is significant in communicating to the reader how negative Martyn’s view of authority figures is, because using his interaction with her as source material the reader can see his mistrust and hatred of Aunty Jean, therefore it is clear that Martyn views Aunty Jean in a very negative way: ‘Thought of Aunty Jean made my stomach turn.’ The verb ‘turn’ describes Martyn’s uneasiness and the fact that he feels physically unwell at the thought of having to live with Aunty Jean. We the reader are able to deduce from this, just how much Martyn’s opinion of her has been negatively impacted by his father’s views. Martyn has no reason to suspect that Aunty Jean would be cruel to him or that she would be worse to live with, all of his hatred and wariness about her stems directly from his father’s own opinion and what he has heard his father say about her. Therefore Aunty Jean is central to the reader’s understanding of Martyn’s immature outlook on adult figures, and how much living with an alcoholic father has shaped his view of authority figures. Brooks also presents her through Martyn’s perspective as evil and sub-humanly disgusted, the thought of her makes him feel physically ill, in order to show how much Martyn needs her to prove his assumptions wrong so that he can grow up and mature.
In the case of this play, the reader could argue that Eddie's tragic flaw is either denial or, to begin with, the incestuous feelings for his niece, Catherine. Most of the time, the damage caused by a tragic hero's downfall usually hurts not just himself but often his community and family around him are strongly affected as well. Once again, Eddie's betrayal does both of these things. Firstly, his community was affected because Marco shouted to all the neighbours in the surrounding scene that Eddie killed his children, or so he claimed. Marco made these claims because he was so furious at Eddie’s betrayal and hence wanted to make Eddie seem as a villainous character.
It is a way for Hester to make up for her wrong doing and a way for her to look inside herself and change something about her. It is the letter that makes Hester feel at fault and once she removes it she heaves “…a long, deep sigh, in which the burden of shame and anguish departed from her spirit”(159). The letter holds all the guilt and blame that Hester feels so that when she takes off the letter, the shame is removed with it. Hester also truly feels guilty about what she’s done because she feels sorry for her daughter, Pearl. Pearl often is looked upon as a child of a sinner and Hester sees the way other children treat her.
The use of blame is usually a selfish man’s burden, but is sometimes justifiable in the effect of fear. In author Miller’s The Crucible, the characters’ use of blame is wrong and unjustifiable in every way. Abigail and the other girls’ actions of blaming cause the unrighteous demise of the innocent in Salem. Her actions are selfish and the other girls blame in fear of her. Abigail’s self-centered doings created a chain reaction that altered the whole village and its future.
He purposely uses powerful adjectives in his phrases, such as “burnt her inside out” and “she was in great agony”; the word “agony” is emotive because it suggests an extremely unbearable pain. Sheila responds “miserably” which illustrates that she has been saddened by the news the Inspector had announced. However, this has an impact on Sheila but Mr and Mrs Birling, who are set in their ignorant time frame of mind, fail to see this. Their callous attitude prevents them from accepting any blame or responsibility for their own actions, and they fail to recognise that all actions have consequences. Their social class is also revealed when they are talking about Eva Smith.
Medusa is described in a very negative manner. On the other hand, the final stanza makes us feel pity for her. Her lover had other ‘girls’ meaning he was unfaithful and the rhetorical question that follows makes Medusa seem desperate. This part of the poem evokes feelings from the reader as she is clearly distressed and suffering. She reminisces about when she was ‘fragrant and young’, illustrating her complete lack of confidence.
The letters that Irene sends are often full of misinterpreted information that often causes trouble, where it is none of her business. So I think as an audience we feel pity for her, as we see how lonely and devout of purpose she is, but also she is clearly a very bitter woman so perhaps we don’t feel too sorry for her. The first line of the monologue, ‘I can’t say the service was up to scratch’, sets the tone for the rest of a Lady of Letters, with Irene moving from one disappointment and source of complaint to the next at a rapid rate. Her only link to the community that she seems to mostly despise is the letters she writes; these letters are an outlet of her frustration and fear of a community she has been almost completely isolated from. Irene doesn’t realise this isolation as she thinks she has been sent a personal letter from an opticians, when in fact it is simply generated advertising.
Medea Discussion Question #2 I actually think that Medea is the victim compared to Jason being the villain, although not entirely. I think this evidenced during a conversation between the nurse and the tutor, “Nurse: Oh, what an enemy Jason’s proved to those he should have loved! Tutor: What human being is not?” (Lines 15-16). They are both shown to have had their feelings of love with near absolute abhor. I think Medea deserves pity in certain situations, such as in the beginning and the events leading up to the murders, when she is shown crying out in the beginning of the play, “The pain of misery!
The Puritans view this letter as a symbol of the adultery. The letter also put Hester through torture: "Of an impulse and passionate nature. She had fortified herself to encounter the stings and venomous stabs of public contumely wreaking itself in every variety of insult but there was a quality so much more terrible in the solemn mood of popular mind, that she longed rather to behold all those rigid countenances contorted with scornful merriment and herself the object"(54). This implies that Hester's sin of bearing a child without the presence of a husband will always be remembered. In the middle of the novel is a transition period where the letter "A" is viewed differently than before.