Shakespeare portrays Brutus as a noble and honourable man, who is much loved by the people and senate. Brutus does not join the conspirators for personal reasons but rather for the benefit of Rome as he says “I know …question” (act,2,sc1.11:13) proves he fears for Caesar might become when in complete power. Which is further emphasised by “That lowliness is young ambitious ladder” (act,2,sc1.322) so Brutus is afraid for his countrymen. Brutus’ nobility and honour are further stamped by Ligarius who refers to Brutus as “Brave son, deriv’d from honourable loins” (act,2,sc,1.322) which shows what high position and regards people hold of the noble Brutus. Before Act3 Scene 2 Mark Anthony seems like a bit of a coward and Caesar’s puppet, he lacks confidence as he seems to always agree with Caesar and gives the impression that he doesn’t take life seriously, loves partying and envoy’s the company of women.
Unlike Caesar, Brutus is able to separate completely his public life from his private life; by giving priority to matters of state, he epitomizes Roman virtue. Torn between his loyalty to Caesar and his allegiance to the state, Brutus becomes the tragic hero of the play. Julius Caesar - A great Roman general and senator recently returned to Rome in triumph after a successful military campaign. While his good friend Brutus worries that Caesar may aspire to dictatorship over the Roman republic, Caesar seems to show no such inclination, declining the crown several times. Yet while Caesar may not be unduly power-hungry, he does possess his share of flaws.
He is not looking to persuade the crowd instead he is looking to tell the people why he did it. He speaks of his love for Rome and how Caesar was greedy and ambitious. Though, through his speech he is very repetitive and formal. In this he distances himself from the public. Also, in his high-minded approach he starts to talk in third person, explaining that he did this not against Caesar, but for Rome.
Tending to Caesar’s glories, which Mark Antony By our permission is allowed to make. I do entreat you, not a man depart, Save I alone till Antony have spoke.” In other words this quote is Brutus speaking to the people of Rome telling them that Antony is about to come out and give a speech. But Brutus is telling the Roman people that Antony is going to just pay his respects to Caesars corpse and speak of Caesar’s glories but with their actual permission and rules. Mark Antony in Act 3 Scene 2 was telling the people of Rome that Caesar wasn’t perfect but was a very good man an honest. But Caesar really loved Rome that anything happened in Rome good or bad affected him.
The Most Honorable Man Being ethical, patriotic, reasonable, and showing selflessness are just a few characteristics of an honorable man, but still honor is in the eye of the beholder. After the death of respected Julius Caesar, the fight for power exposes the veracious side of Roman figures. William Shakespeare, in his play Julius Caesar, examines the struggles for the title of the noblest Roman between ethical Marcus Brutus and other power thirsty Romans to reveal the most honorable man. The actions Brutus takes are for the betterment and love for Rome. Likewise, Antony’s motivation is his loyalty to Caesar; he does not stop until he avenges Caesar’s death.
If Brutus wasn’t honorable, he wouldn’t have fallen into Cassius hands and join his side. Because Brutus is a man honor with no hidden motives, he trusts Cassius and cannot see behind his lies. Cassius writes phony letters to Brutus that make him believe the Roman people are begging for his help and since Brutus is an honorable person he agrees to help. Not only does this show he is an honorable man but he is gullible too. When he says, "…not that I loved Caesar less but I loved Rome more."
One idea in hisspeech stands out more than all the others. “If there be any in this assembly, any dear friend of Caesar’s, to him I say that Brutus’ love to Caesar was no less than his. If then that friend demand why Brutus rose against Caesar, this is my answer: not that I loved Caesar less, but that I lovedRome more.” (III, ii, 19-24) Again, Brutus speaks of his love for Rome, and those of Rome.Brutus has the same love for Caesar as Antony did, but Brutus cared more for Caesar thenAntony ever could. In may be that killing Caesar was not pure, but Brutus’ intentions were as pure as possible. He believed he was doing the right thing and that makes Brutus more honorablethen any of the other men who conspired against
/ It is not for your health, thus to commit / your weak condition to the raw cold morning.” (II, i; 234-236) Brutus is a loving character through this quote because normally in that time, women weren’t as well recognized as now but Brutus really cares ad loves his wife. Another one of Brutus’s characteristics/actions that make him as the hero of the play is that when he initially he wants to join the conspiracy, he has a different reason to kill Caesar. He doesn’t do it for greed and envy but it’s rather explained in the following quote: “Not that I loved Caesar less, but that I loved Rome more” (III.ii:21-22). Even though Brutus makes wrong decisions, he didn’t want to kill people as much as a person like Cassius wants to. Also, Brutus is
This is an example of pathos because it uses emotional appeal showing that he had love of a friend towards Caesar. His is effective because he makes the citizens that he loved Caesar more than them. Another example of pathos is when he says “had you rather you Caesar living, and die all slaves, than that Caesar were dead, to live all free men”,This is pathos because he plays with their fear of slavery. This part is effective because he makes them scared of what would of happen if Caesar was alive and it tells the citizen he make the right decision. In addition to pathos he says “not that I loved Caesar less, but that I loved Rome more”, this an example of pathos because he shows love to Caesar and Rome.
One of the organizing themes of Macbeth is the theme of manliness: the word and its cognates reverberate through the play. Where it is deeply affirmative for Hamlet to say of his father. "He was a man ....", in Macbeth Shakespeare exposes the ambiguities and the perils in a career premised upon "manliness." At the first of the play, Macbeth's "manly" actions in war are not contradictory to a general code of humaneness or "kind-ness" irrespective of gender: but as the play develops, his moral degeneration is dramatized as a perversion of a code of manly virtue, so that by the end he seems to have forfeited nearly all of his claims on the race itself. Lady Macbeth initiates this disjunction of "manly" from "humane" by calling Macbeth's manhood (in a narrowly sexual sense) into question: he responds by renouncing all humane considerations, and, when he learns that he cannot be killed by any man of woman born, this renunciation of human kinship and its moral constraints is complete.