Vergissmeinnicht Essay

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In Vergissmeinnicht by Keith Douglas, the speaker is a solider- most likely in World War II due to the dead German soldier mentioned in the poem. The speaker is returning to the scene of a battle after 3 weeks. There is no fighting at the scene this time, however the body of an enemy soldier, whom attacked the speaker and was then killed, is present. The first two stanzas don\'t allow for any humanity to be seen in the enemy soldier. The middle two stanzas introduce the aspect of his life outside of being an enemy, through the picture of the soldiers love with \"Vergissmeinnicht\" (forget me not), written on it. Yet, the stanzas continue to disregard his humanity because of his role as a combatent against the speaker and his companions. There is a shift within the last two stanzas that address the second aspect of the dead soldier, his role as a lover to the woman in this picture. The rhyme scheme changes throughout the poem, never keeping with the same pattern for even two stanzas in a row. The second to last stanza, where the major shift in tone occurs, does not even contain rhyming within it and draws more attention to the shift as a result. Douglas uses a lot of alliteration throughout Vergissmeinnicht. A larger emphasis is placed on phrases such as soldier singled, skin the swart, and solider sprawling through the repetition of the \'s\' sound in the beginning of each word. All of the phrases containing alliteration are revolving around the actual death of the enemy soldier. This has an effect of placing much more importance on the dead body of the solider then the life it lived before hand. In reading this poem by Keith Douglas, I did not feel as though the speaker felt sorry for the dead solider, or even sympathetic to the soldier\'s lover. The final stanza seemed much more matter-of-fact than emotional, just stating how being a soldier took away the

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