Use of Religious Symbols and Superstition in Stoker's Dracula.

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How does Stoker use the symbols of religion and superstition in Dracula? The Victorian era witnessed one of the greatest shifts in religious attitudes since the Puritan movement. At the beginning of the era the Church was incredibly powerful, but as the era progressed, people moved away from religion started to question their faith. Charles Darwin published The Origin of Species, in 1859, and along with the advances in technology, such as the first underground railway being built, in 1863, brought about the “crisis of faith”. The two biggest and most conflicting religions in this period were two sects of Christianity, Protestantism and Catholicism. This conflict can be seen in a lot of literature in the Gothic genre, as the villains were mainly Catholic, which gave authors a gateway in which to insult Catholicism. However, in Dracula, Stoker creates the setting for Gothic conventions, but does not fully concede to this stereotype, making one of his protagonists Protestant but using Catholic symbols to help protect him. At the start of the novel, when Harker is travelling to Dracula’s home, he seems to be travelling between two different worlds, when passing through the landscape Harker notices a thunderstorm at the Carpathian Mountains which seems to “[separate] two atmospheres” (14) and describes the scenery as a “frontier… [that] has had a very stormy existence” (6). This suggests that Harker is leaving one world behind, the world of security, and is passing a world of superstition and danger, which can be otherwise seen as Harker digressing into Limbo, the theological “in between” world, between Heaven and Hell, in this context Heaven is Britain is Heaven and Transylvania is Hell. Just after this scene, superstition of religion can see bee when Harker is offered a crucifix attached to a chain of rosary beads, of which he has been taught, as an “English
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