Theme Of Insanity In Gothic Literature

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Insanity could be defined as “the state of being mentally ill; madness”, thus it is no surprise that writers such as Edgar Allan Poe and D. H. Lawrence beauteously integrated aspects of insanity into their stories in order to chisel the perfect piece of gothic literature, simultaneously luring the reader in to a world carved by madness and drowned in an eerie atmosphere. Portraying one as insane is a powerful gothic literary device that has been used throughout the era of the gothic, notably in Matthew Lewis' “The Monk” and Horace Walpole’s “The Castle of Otranto”. One way in which writers complement and enhance the insanity of their sadistic characters is through the psychological and mental torture that is often inflicted upon the victims…show more content…
This is clear in the opening sentence when the narrator says “TRUE! --nervous --very, very dreadfully nervous I had been and am; but why will you say that I am mad?” The enhancement of his insanity is conveyed through the repetition of “nervous” and “very”, which evidently portray his unstable state of mind and thus the likeliness for him to commit such a brutal and sadistic murder. Furthermore, the language and syntax used by Edgar Allan Poe has the ability to lure the reader to believe that the narrator is anxious and uneasy; a character whose insanity shines through his speech. Unlike the narrator of “The Tell Tale Heart”, the narrator of “The Pit and the Pendulum” maintains the capacity to recount faithfully and rationally his surroundings while also describing his own emotional turmoil and the burden of emotional distress does not hinder his account of the…show more content…
The narrator of “The Pit and the Pendulum” appears to thrive off his own insanity, evident in the way that he says “Hearken! And observe how healthily --how calmly I can tell you the whole story”; no sane person could recount for their murderous and torturous actions “healthily” and “calmly”. Furthermore, the way in which he constantly reassures the reader of his sanity ultimately has the counter effect of expressing the insanity which he possesses as shown by his rhetorical questioning of “how, then, am I mad?”, “Ha! would a madman have been so wise as this?” and “If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body”. If the protagonist was in fact sane, why would he feel it were his duty to constantly remind the reader of the fact that he is not “mad”? Further evidence of the narrator “enjoying every minute” of his insanity is notable from the way he claims the reader will “have laughed to see how cunningly I thrust it in!” and how he “smiled gaily, to find the deed so far done.” Enjoyment of insanity is also a gothic element integral to “The Pit and the Pendulum”, however rather than the enjoyment being expressed by the protagonist and victim, it is enjoyed by those enforcing the brutal
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