The Use of Satire in British Situational Comedy

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Humour has played an important part in the development of societies all around the world and can demonstrate how democratic and open a society is to not only new ideas but its criticism of current norms, values and institutions (la Marre et al, 2009). Humour is a quality that is very difficult to define as it can vary from culture to culture and due to the number of styles of humour that have evolved through the centuries. Throughout history, the category of humour that has provoked the most controversy is satire. Satire has been described in numerous way, for example “the use of humour, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices” (oxforddictionaries.com), or “playfully critical distortion of the familiar” (Feinberg, 1967). The origins of satire extend back to the time of the ancient Greek and Roman poets and philosophers who used satire to criticise and make fun of the military and ruling elite, as illustrated in works such as The Knights by Aristophanes (c.448 – 353 BC). Satire has been broadly divided into two main categories: Juvenalian, named after the roman poet Juvenal. This style is abrasive, bitter, and demonstrates social criticism and moral disgust. It is a direct and angrier form of satire. Horatian satire, named after the roman poet Horatio, is more of a subtle form of satire which is more light-hearted and finds human folly amusing rather than something to get riled over (Schutz, 197:, p. 50). The effect or perceived effect of satire has been viewed by many in history as having a powerful influence over the masses, which can be illustrated by the number of times individuals or political leaders have had satirical works banned. In ancient Rome, emperor Augustus banned satire and sentenced its practitioners to death. The Bishops Ban of 1599 in England was a decree banning all satirical literature
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