The Tyger By William Blake

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William Blake’s "The Tyger" is an absorbing moral critique of Protestant Christianity, or more acurately, a theological query into the motivations of Creation itself. Blake’s "The Tyger", a darker accomplace to Blake’s earlier poem, "The Lamb", frames upon the devout Christian theme of its poetic predecessor and goes on to challenge questions concerning what Blake believed to be the existence of evil, the animosity within the story of Creation, and the Christian God’s apparent desire to abuse that which he creates. Blake, in his composition, "The Tyger", brings to light abounding problems that would be the philosophical and theological cornerstone of his Romantic ability. In "The Tyger", William Blake asks: Who could build the Tyger’s ferocious symmetry? William Blake, born in London England, advertised much of his innate creativity at a young age. Sadly, not seeming to possess the economic means to seek an ordered education above a drawing school, Blake instead went on to take an apprenticeship at the age of fourteen under a London engraver. Engraving was a basic industry in the 18th century, as much of the tome printing and illustration at the time was in high appeal, and printed illustrations had to be made from either wood carvings or copper faces that made the profession as artistic as it was labor intensive. Blake’s life lasting art as an engraver would play a crucial role in how his poetry was published; indeed the two most compelling aspects that lead to his most famous works, such as "The Tyger", were his divine views of the Protestant Church and the preferred medium for his rhyme: engraving. Not to abuse Blake by not calling him an intellectual, he read excitedly and was a classic example of uninstitutionalized self-tutelage, but perhaps his most abundant strength as a Romantic poet was his unconventional and original analysis of the King James Bible and

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