I Do Not Love Thee Figurative Language: What poetic devices were used in this poem? The poetic device is rhyme. What did these poetic devices do for the poem? It made the poem rhyme. Did these devices help create imagery or communicate the author's feelings?
The Paradox of Language: An Explication of P.K. Page’s “Cook’s Mountains”* As the title of the poem suggests, P.K. Page’s “Cook’s Mountains” is a poem about possession. It is also about the transition from a pre-verbal state to a “named” or verbal state. The poem points to the paradox of naming: while naming is creative and powerful, it is also limiting.
Hale. John Wright doesn’t seem to be a happy fellow. Not much is said about this character, however; an overwhelming feeling of hatred and meanness radiates from him. Its as if he stiffens the very air he stood in. this very discontent feeling would further add to the very isolation the Glaspell is trying to portray.
In Wild Oats It explains that a person, over the course of time, comes to realise that his greatest desires of love, are unattainable, and second best things will have to suffice. The central purpose of this poem is to show that love is one of these great desires and despite flashes of promise it contains scarcely anything that is more than fragmentary. Larkin reveals this through tone and diction. Both poets seem to focus a lot on the physical side of love where lust and desire are involved however Abse makes it sound more sensual and even spiritual when he speaks of Eros in his poem. Larkin portrays this sense of objectification in his poem with regards to woman as he describes a woman as a ‘bosomy English rose’ and then follows on to call her ‘beautiful’ throughout the poem portraying the sexual lust involved with love.
Firstly, Donne's poetry is highly distinctive and individual, adopting a multitude of images. The poem offers elaborate parallels between apparently dissimilar things, “Then as th’ earth’s inward narrow crooked lanes, Do purge sea water’s fretful salt away,” (Donne, Lines 6-7) Donne's poem expresses a wide variety of emotions and attitudes, as if Donne himself were trying to define his experience of love through his poetry. Although, “The Triple Fool” gives a limited view of Donne’s attitude towards love, Donne treats the poem as a part of experience, giving insight into the complex range of experiences concerning love and grief, “I thought, if I could draw my pains through rhyme's vexation, I should them allay.” (Donne, Lines 8-9) Overall, the imagery in “The Triple Fool,” contributes to Donne’s sorrowful diction of love and grief. Moreover, Donne explains that poetry is for love and grief, and not for pleasing things, but songs make love and grief even worse. The first verse of the poem states that he is two times a fool, a fool for loving, and a fool for admitting it, “I am two fools, I know, for loving, and for saying so in whining poetry.” (Donne, Lines 1-3) Donne follows to say that he would still not be wise, even if “she” (Donne, Line 5) returned his love.
Poetry and drama have a few key features that emphasize their per formative nature. One is the use of rhyme, rhythm, meter, alliteration, and other types of sound symbolism. For example, in Gwendolyn Brooks' "We real cool", the poet uses a strong rhyme scheme, a consistent meter, and an almost sing-song tone to demonstrate the lack of education of the narrator and his or her youthfulness. It also emphasizes the last line "We die soon.". Another is in "unity of action".
While he is not seen as a saint within the poem (he remarks in a sarcastic matter to Plath in the poem), he positions the reader to empathise with him, painting the image that he is the placid one in the relationship, and the one who encourages her to embark on her creative pursuits “Get that shoulder under your stanzas/ And we’ll be away.”. The repeated use of the pronoun “your” creates an accusatory tone, suggesting that they were living Plath’s life, rather than their life. The poem also hints that Plath’s father was a monster. He describes her father as a goblin that influenced and controlled the mind of Plath’s. He even goes one step further
T.S. Eliot’s “The Love Song Of J Alfred Prufrock” depicts the speaker’s life of alienation and depression. Eliot focuses on Prufrock’s life as being depressed and separate from the world in which he lives in. Eliot’s use of metaphors and vivid imagery illustrates Prufrock’s alienation from the world as well as his depressed state of mind. T.S.
Unlike Bridges’ work, since the beginning Stevenson sheds light on the negative aspects and flaws of Eros. As “humanity” describes him, he was not the image of perfection but, on the contrary, had a “broken nose/squinty eyes” (lines 3-4), “boxer lips/ and patchy wings” (lines 7-8). Some of these descriptions show he was somehow victimized, but at the same time they allude to the carelessness of his image as an individual. In response to this, Eros simply rests the blame on the shoulders of humanity for that which “you (referring to humanity) create” (line 20) by the constantly “dissolved (love) in loss” (line 23) and “lust” (line 15). Both Stevenson and Bridges by the use of similar techniques of narrative and writing portrayed a clear picture of the god of love.
Another situation where one would feel abject and isolated is when society seems to shun and frown upon them, like Antigone from Antigone by Sophocles. Holden and Antigone have one thing in common: they both feel alienated within a group of people, but Holden brought the isolation upon