The relationship between humanity and nature in Blade Runner and Brave New World

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The texts, Brave New World, written by Aldous Huxley, and Bladerunner, directed by Ridley Scott, explore the relationship between humanity and nature in terms of the physical nature of the environment and human nature itself. Both texts suggest that the context in which humans live dictate what is natural and unnatural, through the juxtaposition of the worlds of technological progress and of primitivism. They suggest that it is between these two binary opposites that humans dwell in a natural state of both stability and freedom. However, it is ultimately the law of nature which defines a human. It differentiates them from other life forms in that humans display an awareness and emotional response to life as part of their intrinsic nature, which forms part of the natural rhythms of life. The dystopic stance of the texts warns the audience of the dangers of humans passively accepting and being defined by technological progress and thus, in the words of William Blake, subjecting themselves to "psychic slavery". The composers, through the settings of their texts, offer views of highly technologically progressed societies with spiritual emptiness on one hand; and primitive societies with pre-technological misconceptions and values on the other. Despite the different time periods in which the texts were composed, these binary opposite worlds reveal the composers’ concerns about the social dislocation of humans due to violations of their free will to choose to live between these extremes and exist in a natural state of humanity. The environment of the World State in Huxley's Brave New World illustrates the insanity of technological advancement for the simple reason that "progress is lovely". Ironically, this “progress” is portrayed as visually unsavoury, with environmental aspects of nature completely eradicated. “…a harsh thin light glared through the windows,
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