The Migrant Mother

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Tony Avila Midterm Photo Documentary: The Migrant Mother In this essay I will address question number three. Documentary photography denotes photography in which pictures are used to document historical events. Through this type of photography, images are deeply intertwined with world/Society events and are often used to easily incite political and social change due to its ability to capture the “truth”. Through photography we are in touch with reality, our consciousness is raised in a good way ( Beloff) The photograph “The Migrant Mother” does precisely this, it provoked outrage in many Americans at the time of the great depression and it influenced the federal government into action, to this day the image is regarded as one of the most powerful and famous great depression images captured. In March 1936 Dorothea Lange having just completed a month-long assignment for the Resettlement Administration, and while driving home through San Luis Obispo County stopped by a migrant workers campsite. Laborers were leaving as she arrived, for late-winter rains had destroyed the pea crop, and with it every opportunity for work. But just inside the camp, sheltered in a makeshift tent, she found a careworn woman with several unkempt children. As Lange was later to learn, the family was immobilized. After days of eating nothing but frozen vegetables taken from the fields, they had sold the tires from their car to buy food so told lange. In the space of ten minutes Lange proceeded to photograph the squalid scene, moving closer to her subject with each exposure. The last was the close-up view of the woman with three children that we now know as Migrant Mother. With that photograph, Lange achieved what she had set out to do for the Resettlement Association: “to register the things about those people that were more important than how poor they were,” she explained, “—their

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