The excessive control demonstrated by the boys undoubtedly supports the idea that humans are innately evil, and it is also shown in many other ways such as how the boys mistreat each other. The Lord of the Flies proves the point that mankind is evil through the way that the boys mistreat each other. For starters, mistreatment is shown in the very beginning of the book when Jack says to Piggy, “Shut up, fatty!” (Golding 17). Jack is insulting Piggy while many of the boys mistreat and insult each other. Also another example of how mistreatment is shown in the book would be when Samneric betray Ralph.
Gothic literature is designed to terrify and horrify people in a pleasurable way. The plots are meant to border the lines of reality. Gothic literature also has settings filled with dark and twisted structures. 4. What are at least two common mental disorders one might find in Gothic stories?
Some people, like Simon, understand this concept and he says: ‘Maybe there is a beast... maybe it’s only us.’ Other people, like Ralph, do not want to believe that there is a dark side to humanity and in Chapter 2 he constantly shouts: ‘but there isn’t a beast!’ Golding successfully gets across his message that there’s ‘darkness in man’s heart’ by the frightening way he describes several events in the book. The killing of the mother sow is an extremely shocking event in the novel. When it describes that ‘the great bladder of her belly was fringed with a row of piglets’ it shows how savage the boys have become and how much they have changed, especially Jack, because at the beginning of the novel he had difficulty killing the piglet because of ‘the enormity of the knife descending and cutting in to living flesh’ and now ‘practice had made Jack silent as the shadows.’ The quote ‘wedded to her in lust’ shows us that they specifically want the female pig and won’t rest until they have her. The scene is extremely graphic and the notion of what they are doing is terrifying. The fact that the pig went from being ‘in maternal bliss’ to ‘dim-eyed and grinning faintly’ is also terrifying, because they took something innocent and turned it into something wicked, which is essentially what happened to them.
In the beginning of the story, Brother recounts the day Doodle was born, saying that he was a disappointment as soon as he entered the world. The narrator was not satisfied with his brother, which resulted in the horrible things he thought about him. Brother said that “It was bad enough having an invalid brother, but having one who possibly was not all there was unbearable…” As a result, the narrator enjoyed torturing Doodle, threatening to abandon him multiple times. He even took Doodle to see the casket that was built for him, and forced him to touch it. The narrator basked in the control he had over his brother.
Evil Nature of Human Beings In the Lord of the Flies, by William Golding, the boys experiment with the evil nature of human beings and end up losing their humanity and sense of civilization. Each of them develops it differently, some grow stronger and realize their wrongs, and others let the evil over take them and transform themselves into beasts. Jack becomes very jealous of Ralph and his power; he wants to take it from him. Jack then creates his own tribe of boys and turns them all against Ralph, meanwhile craving the hunt for food and is power hungry. Ralph represents the goodness left on the island, while Jacks worst got the best of him.
There may seem to be many motivations for villains throughout the times but as we study these scoundrels we find that generally they are motivated by pure jealousy, or a need of superiority. They utilize manipulation, both physically and mentally in order to achieve their goals and show a lack of remorse. Stephan King’s “Misery”, provides us with a very graphical depiction in Annie Wilkes a sadistic, mentally unstable retired nurse, who has a desire for power and control. Annie goes to tortuous extremes on her captive Paul Sheldon to realize this. Iago from Shakespeare’s play Othello is also a power hungry villain who enjoys having people under his control, he is driven by extreme jealousy and the motivation, revenge.
For example, he talks to Simon and predicts that the boys will kill him later. This shows that Beelzebub wants to mess up the boy’s mental thinking, so they can become savages. This is because it represents that we all have an inner demon, even the kindest people we know can be heartless. Furthermore, piggy
It is clear that at the beginning of this excellent comedy Oliver and Orlando are not the best of friends, in spite of their sibling relationship. Note the way that in Act I scene 1 they fight, and Orlando, having his brother trapped in some kind of wrestling hold, tells us that his brother has committed the following crimes against him: My father charged you in his will to give me good education. You have trained me like a peasant, obscuring and hiding from me all gentleman-like qualities. The spirit of my father grows strong in me, and I will no longer endure it! Clearly the hatred that they feel for one another is expressed through their behaviour and the words they use for each other, such as when Oliver insultingly calls his brother a "boy" and he tells the Duke that he hates Orlando just as much as he does, knowing that this will be bad for his brother.
They create a "unique vision of the world" shaped, Kelly argues, by Greene's "personal demons," including "a sense of betrayed innocence; an authoritarian and puritanical father; clever school bullies; fear of the dark, birds, and water; fear of and fascination with sexuality; fear of boredom." Kelly aims to demonstrate, then, that Greene's short fiction "serves as a means of exercising or restraining these demons"; that, moreover, "the entire fabric" of his short fiction "reveals a continuous psychological
The other characters liken Richard “to wolves, to spiders, toads, or any creeping venom’d thing that lives.” Shakespeare portrays Richard as a monster and a beast. Richard’s monstrosity is symbolized in his appearance, which is “so lamely and unfashionable that dogs bark at” him, rather than accepting him as a fellow beast. Shakespeare portrays Richard as the devil, which