The Hungry Woman

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Chicana feminism much like other forms of feminism is centered on the idea of equality for every person regardless of how different they might be from the dominate norm of a given society. Chicanas are women that are of Mexican descent who are born or raised in the United States. Chicana feminists focus on equality, but they also face uniquely Chicana problems. Some of these challenges include the identity crisis experienced because of the conflicts between tradition and reality, the clash of American culture and Mexican culture, and the view of sexually by the Mexican culture. Cherrie Moraga is an internationally recognized activist for Chicana feminism. She describes Chicana feminism as a theory in the flesh which “means one where the physical realities of our lives-our skin color, the land or concrete we grew up on, our sexual longings-all fuse to create a politic born out of necessity. Here, we attempt to bridge the contradictions in our experience.” (Moraga and Anzaldua 21) In the play The Hungry Woman by Cherrie Moraga, the main character Medea is struggling with the contradictions of the Mexican tradition of patriarchy rule and her own reality, as well as how her relationships fit in to this system of patriarchy. The play, The Hungry Woman is set in the future after an ethnic civil war split apart American into many different independent nations. Medea, the main character in the play was a leader in the Chicano revolt. She has scars up and down her arms from the revolution. After Medea’s husband Jason finds her cheating on him with a woman he exiles Medea and her lover Luna to Phoenix, a rundown gypsy ghetto where “queer” people are sent. After seven years in exile Jason returns to Medea’s life in order to take their son Chac-Mool back to Aztlan. This is the turning point of the play and a source of major conflict for all the characters. When

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