If John Proctor had an affair with a different person, it would not have been as impactful to the story. If he had an affair with someone such as Marry Warren, it would not have meant as much to the story because she plays a less significant role. John Proctor suffers in The Crucible for having an affair with Abigail, who happens to be the main source of hysteria during the trials. Because she is the main source of hysteria, Abigail is free to accuse whoever she likes. John Proctor must fight off Abigail's advances towards him, and her threats to his wife, which creates extra tension and drama within the play.
well, for the matter of fact all i had to do was make this up and it worked.... i hope. a central motif in the play is trickery or deceit, whether for good or evil purposes. counterfeiting, or concealing one's true feelings, is part of this motif. everyone seems to lie; good characters as well as evil ones engage in deceit as they attempt to conceal their feelings: beatrice and benedick mask their feelings for one another with bitter insults; don john spies on claudio and hero; don pedro and his 'crew' deceive benedick and beatrice. who hides and what is hidden?
Kelsy Chou The Leader of the Role Abigail Williams, in The Crucible, by Arthur Miller, is a character that is not always truthful, always get things to her advantage, and always know how to use her power. In Act One of the book, her role is the manipulator of the witchcraft confrontation, and the leader of the girls. During the witchcraft confrontation with Reverend Parris, Abigail denies everything. Her magnificent skills in lying and manipulating are demonstrated throughout Act One. Not only does she deny doing witchcraft, she also manages to accuse Tituba of having full responsibility while she is the one who starts the whole thing.
Throughout Macbeth, Shakespeare shocks audiences with violent language, the supernatural witches and evilness. The nature of evil, in the context of this question, means ‘profoundly immoral and wicked’ which is true to most of the play especially after King Duncan’s murder. The nature of ambition in this context portends ‘a strong desire to achieve successes’. Based on these definitions, I agree with said view of this play to some extent. Evil is first inferred in Macbeth when we first meet the Weyward Sisters (witches) and they cantillate something: ‘Fair is foul and foul is fair.’ This juxtaposition of words indicates an unnatural feel which creates the feel of imminent evil from a possibly supernatural perpetrator.
Compare the presentation of female characters in The Crucible, Othello and Enduring Love Arthur Miller’s The Crucible is a play set in Puritanical New England, 1692. Miller wrote the play as an allegorical statement against McCarthyism in the US. Abigail, one of the central female characters, was the previous mistress of John Proctor; the play’s protagonist, portrayed as a tragic, noble hero and therefore Abigail, who was his mistress who he no longer has feelings for, and causes him trouble, is bound to be seen in an inverted light to the one John Proctor is seen in. Certainly Arthur Miller goes to great length to use Abigail as the anti-hero to John Proctor’s noble, almost incorruptible (if it weren’t for his affair) figure. Miller takes the “woman scorned” approach to his character of Abigail.
Continuously throughout the text she performs acts of deception which tragically condemn others to death just to cover her lies. Miller exhibits that power lies with those who have people to impose it upon. This power is demonstrated most effectively in Mary Warren’s retraction in Act 3. When Mary confesses against the witchcraft is Salem Abigail and the other girls abuse the power of unity and accuse Mary of spiritually attacking them. Abigail says, ‘Oh please Mary!
“(1.3.47-49) These three lines are extremely crucial to the play because it gives Macbeth his beginning thoughts toward receiving the throne. Shakespeare made the witches deceive Macbeth and Banquo who begin to believe they are invincible and have much to look forward to. This proves misogyny in Shakespeare because it ultimately put the witches to blame for all the horrible events in the play. Shakespeare also portrays his misogyny through Macbeth as he belittles the witches by saying, “How now, you secret, black and midnight hags.” (4.1.47) In Shakespeare’s era, chivalry and respect toward women was big. By having a character in his play say this to three so called women, seems
BMadness is a state of mind that is often explored in William Shakespeare’s dramas in order to evoke a reaction—often of sympathy or pity—from the audience. While this madness often ends in an undesirable manner, none is more tragic and appealing than Hamlet’s Ophelia. While her lines are set in Shakespeare’s original script, her actions must be directed to achieve the appropriate response from the audience; in the 1996 version of Hamlet, directed by Kenneth Branagh, Ophelia’s deranged state of mind is portrayed in such a way that entices the audience and brings them to tears. The slightly modern nineteenth century setting acts as a common ground between Shakespeare’s Elizabethan era and today’s modern world. Branagh’s decision to leave the script exactly as Shakespeare wrote it highlights to complexity of the story and adds to the appeal.
Miller encourages the responders recognition of Abigail as an autocratic power within the play by threatening the weak and vulnerable. This is show at the end of Act 1 with the repetition of "I saw ________ with the devil!" The climax of Abigail's confession creates such intensity within the scene the girls join in. Through Miller's use of dramatic stage structure exposes ____________ between John Proctor and his wife Elizabeth, *Elizabeth pauses, and turns her back on Proctor* this shows her reluctancy to confront Proctor on his affair with Abigail. As Proctor own feelings of disgust overcome him, his confession to the affair with Abigail brings him forward to the court where Danforth's ultimatum, "you are either with the court or you will be courted, there is no in between" conveys the juxtaposing value the town of Salem holds, you conform or become exiled.
I believe that Lady Macbeth is full of courage. Her intentions may not be pure, but it definitely takes a lot of courage to go against the chain of existence. To virtually go unswervingly against God and his plan for the country is a mortal sin, and definitely a ticket straight to hell. As the play progresses, we see the softer, fanatical side of Lady Macbeth, “The Thane of Fife had a wife. Where is / she now?