The Creation of “Let There Be Light” as a Gift to God

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Analysis of a Painting The Creation of “Let There Be Light” as a Gift to God Analysis of a Painting The Creation of “Let There Be Light” as a Gift to God The Leepa-Rattner Museum of Art is home of a permanent collection of paintings from Abraham Rattner which contains a portfolio of twelve lithographs on Arches paper that have been exposed to the world thanks to the donation of the art by Allen Leepa, Rattner’s stepson. Each lithograph is based upon verses taken from the Book of Genesis, indicating the greatest moments in the creation of mankind, signifying his faith and the search for light with the hopes of finding God. Rattner seems to praise and worship a living God with infinite compassion and understanding from his Jewish cultural roots. Especially, he also makes references to Christian religious symbolism using the crucifixion as a way to represent cruelty in the world. Actually, Rattner has very different religious views in which he implies through his paintings that the path helps man get closer to God. Ten years after Bettina Bedwell’s death, Rattner sets his imagination to work by creating a marvelous display in the heart of the business district in Chicago. The big stained glass window of the new Chicago Loop Synagogue captures the essence of light by introducing different elements with a combination of colors, while representing an intricate design of ancient Hebraic symbols, and choosing as the theme of his creation Genesis 1:3; “And God said, Let there be light, and there was light”. The window is divided into three panels, each panel with symbolic representations that illuminate and exalts the sanctuary; nineteen symbols all together decorate the attractive Synagogue with a blue, ever changing in hue, in variation from warm ultramarine to azure cerulean and airy cobalt, dominates the entire design. It is the symbol of “The breath of

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