Symbolism And Motifs In Invisible Man

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Symbolism and Motifs in Invisible Man Ralph Ellison’s novel, Invisible Man, is a story based on true events that the narrator overcomes throughout his life. The story begins and ends with him in an underground hole where he writes this story telling readers the long series of happenings that lead him there. The story takes place in the early to mid-1900s when racism and segregation were still major conflicts. Throughout Invisible Man, the narrator meets several people who try to influence his decisions and attempt to head him in the right direction, but narrator usually just ends up finding himself more lost. Ralph Ellison uses motifs and symbolism to show the struggle for independence that the narrator faces due to segregation between blacks and whites. First, Ellison uses motifs to show the reader the complexity of the segregation between the two races throughout the story. One of the motifs used throughout Invisible Man is the use of the colors black and white. Anything that was white throughout the story was considered to be pure and superior, while the color black was used to describe filth and people who were to be looked down upon. After the narrator arrives in New York he is recommended a job at the paint factory where he notices severe amounts of segregation. The paint factory only makes white paint, Brockway exclaims, “Our white is so white you can paint a chunka coal and you’d have to crack it open with a sledge hammer to prove it wasn’t white clear through!” (217). The narrator translates the slogan into, “If you’re white, you’re right” (218). These two sayings are important because it shows the racism that is still in the mind of both Brockway and the narrator. Brockway is insinuating that white can just cover up black. The paint factory, as well as the government, is obviously having a hard time accepting the fact that blacks are fighting for
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