Stephen Dedalus Meaning

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Stephen Dedalus's very name embodies the idea of flight. Stephen's namesake, Daedalus, is a figure from Greek mythology, a renowned craftsman who designs the famed Labyrinth of Crete for King Minos. Minos keeps Daedalus and his son Icarus imprisoned on Crete, but Daedalus makes plans to escape by using feathers, twine, and wax to fashion a set of wings for himself and his son. Daedalus escapes successfully, but Icarus flies too high. The sun's heat melts the wax holding Icarus's wings together, and he plummets to his death in the sea. In the context of A Portrait of the Artist as a Young Man, we can see Stephen as representative of both Daedalus and Icarus, as Stephen's father also has the last name of Dedalus. With this mythological reference, Joyce implies that Stephen must always balance his desire to flee Ireland with the danger of overestimating his own abilities—the intellectual equivalent of Icarus's flight too close to the sun. To diminish the dangers of attempting too much too soon, Stephen bides his time at the university, developing his aesthetic theory fully before attempting to leave Ireland and write seriously. The birds that appear to Stephen in the third section of Chapter 5 signal that it is finally time for Stephen, now fully formed as an artist, to take flight himself. y an epiphany he meant a sudden spiritual manifestation. . . . He believed that it was for the man of letters to record these epiphanies with extreme care, seeing that they themselves are the most delicate and evanescent of moments." An epiphany occurs as part of the perception of beauty, Stephen says, as he explains his aesthetic theory to Cranly (in A Portrait, it is Lynch to whom he explains the theory). He bases this theory on the work of St. Thomas Aquinas, the medieval Catholic theologian. According to Aquinas, the three things needed for beauty are integrity, symmetry, and

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