As stated in the following quote “You shall do marvellous wisely, good Reynaldo, before you visit him, to make inquire of his behaviour” (2.1.3-5). Polonius was ordering the servant Reynaldo to spy on Laertes, and to secretly look after him. This type of logic that Polonius is using shows the distrust and fake appearance that he portrays to his own son. Another method of deception used by Polonius would be concealment. After Hamlet had staged the play, and noticed Claudius’s reaction, Gertrude was willing to speak to Hamlet about the play, and how Claudius is furious about it.
This, to the audience, will seem ridiculous and unnecessary creating a subtle sense of humour. Nearing the end of Act 2 we learn about Viola’s plans for her disguise in order to appear less vulnerable. She then goes on to say ‘thou shalt present me as an Eunuch to him’ which will yet again appear an overdramatic act to the audience. In act 3, Sir Toby Belch is introduced into the play. Shakespeare’s wit and word play used even for simply just the names of the characters can build up laughter.
a central motif in the play is trickery or deceit, whether for good or evil purposes. counterfeiting, or concealing one's true feelings, is part of this motif. everyone seems to lie; good characters as well as evil ones engage in deceit as they attempt to conceal their feelings: beatrice and benedick mask their feelings for one another with bitter insults; don john spies on claudio and hero; don pedro and his 'crew' deceive benedick and beatrice. who hides and what is hidden? how does deceit function in the world of the play, and how does it help the play comment on life in general?
Then at the end, Hamlets says “These tedious old fools” which is calling Polonius directly an old fool without trying to hide it as he did before. In Act 3 Scene 2, Polonius returns to Hamlet to inform him that the Queen is very upset about him and wants
She then goes on to say ‘chastise with the valour of my tongue.’ This show that Lady Macbeth will use her bold words to get Macbeth to agree with her. ‘Chastise’ connotes that Lady Macbeth will shape Macbeth in to what she wants and make him obey her commands of killing Duncan. This gives insight in to the value Macbeth has for his wife’s opinions and the control she has on him. Later on in the play when Macbeth no longer wants to commit the murders, Lady Macbeth is outraged and mocks him, her leverage being his manliness. She questions his manhood and calls him a coward: ‘When you durst do it,” she says, ‘then you were a man.’ Lady Macbeth ridicules him, stating once he kills Duncan, he is then redeemed a man.
She spied on Hamlet through requirement of her father and also she only spied on him to figure out information that pertained to her. She first began spying on Hamlet during Act III while her father Polonious and the King hide behind a curtain. They requested that she find out whether Hamlet truly loved her or not. After she began talking to Hamlet, he humiliates her by replying to her statement with “you should not have believed me, for virtue cannot so inoculate our old stock but we shall relish of it. I love you not” (III.i.127-129).
Shakespeare, especially, has a long rhetorical history with this line of vitriol; it shows up in many of his plays and features strongly in his Sonnets. Readers have long sympathized deeply with Ophelia’s position in the play; as far back as 1765, Samuel Johnson wrote, “[Hamlet] plays the madman most, when he treats Ophelia with so much rudeness, which seems to be useless and wanton cruelty.” draw attention the artifice of the play. Through meta-theatre the audience are presented with the fact that they are watching a production, actors acting and quite often there is are explicit reference made to the literary artifice within the production. Meta-theatrical devises also include plays within a play, such as the Mousetrap in Hamlet, or the Mechanical’s In the play "The Tragedy of Hamlet, Prince of Denmark," William Shakespeare has used the theme of deception, and how its use by one or more characters leads to their downfall. Polonius explicitly stated this theme when he said to Laertes in I, ii, "By indirections find directions out."
Romeo is discreetly referencing the prologue, where the audience learns that Romeo and Juliet are fated for misfortune. But Romeo also feels Fortune is being especially cruel; he just got married, and he might be put to death. His words
‘Is Così more about love than madness?’ Sarah Smith Louis Nowra’s play Cosi focuses deeply on the madness of each character, what makes them mad, how they are truly insane, but throughout this play we unfold a side to each of them that shows the audience how much love is incorporated in their lives. It may not be the typical type of love as in love for another person, but it just may be the love they have to something they care about in Roy’s case the theatre and performing, In Cherry’s case it was love at first sight between her a Lewis and for some it is definitely the love that each shares with another person. Cosi is beyond doubt about more than love than madness. Roy seems to be the over the top, dramatic, mad man that he is. But through madness
He uses and controls others to diminish the psychological wellbeing of Othello. All of the characters in the book trust him including Othello, which makes him more deceitful. In the beginning of the play Iago say’s “I follow him to serve my turn upon him”. This just reinforces the fact that Iago is fraudulent and untrustworthy. Iago also say’s “My lord, you know I love you” which juxtaposes his previous quote “I hate the moor”.