Soliloquies In Macbeth

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Q:How are the soliloquies an insight to Macbeth’s character? A. soliloquy is somewhat of a device often used in drama whereby a character relates his or her thoughts and feelings to his/her self and to the audience without addressing any of the other characters, and is delivered often when they are alone or think they are alone. Shakespeare has often used soliloquies and monologues in his plays to bring about complex characterizations. Macbeth’s soliloquies in the play Macbeth map the moral transgression that transforms the tragic hero from ‘Bellona’s bridegroom’ to ‘fiend of Scotland’. At the time of the first soliloquy (I.Vll), Macbeth has already been convinced of the potential of the witches’ prophecies. In contrast to the sociable activity of the banquet- held in the honour of King Duncan’s visit to his castle- presented offstage, Macbeth is still isolated in guilty reflections about the prophesies. This soliloquy, the longest in the play, reveals the nature of his mental conflict with remarkable subtlety and reaffirms that the three witches, by informing him that he will be "king hereafter" (1.3.50), have merely kindled his own innermost desire to obtain the throne. He tells himself that he is concerned only with the practical question of whether or not he can get away with Kind Duncan’s murder. He explicitly and contemptuously dismisses its moral aspects: should the mere act of commission give him supreme power as well as prevent any repercussions on him in this lifetime, he would ignore the possibility of divine retribution. But the inadequacy of this tough-minded attitude is exposed by the very imagery he uses, which shows his full knowledge of the spiritual implication of his contemplations: “With his surcease, success, that but this blow Might be the be-all and end-all –here, But here, upon this bank and shoal of time, We’d jump the life
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