Signs of Indianness in the Village by the Sea

2005 Words9 Pages
The hardest aspect of achieving independence and becoming a decolonized society is to be able to regain and redefine the cultural identity. Postcolonialism deals with these identity crises, and attempts to study and analyse the cultural discourses of the colonized world. The Village by the Sea, by Anita Desai, is a clear example of Postcolonial literature, since it depicts the struggle of India and its inhabitants to adapt to a new way of living after the departure of the British. The novel is set in Thul, a small fishing village which is bound to disappear due to the imminent arrival of a fertilizer factory; Hari, one of the main characters, is a typical village boy who desperately wants to become someone, but knows it will be difficult to do so since he is trapped inside his dharma. However, this essay will attempt to show that, ultimately, his eagerness to break free is stronger than his duty, and he eventually will accomplish his goal. For this purpose, it will be considered the concepts of dharma, caste and otherness, and their significance in the development of Hari’s journey. India’s society is divided into social categories called castes, and individuals belong to the same caste from the moment they are born to the moment they die. In the novel, Hari and his family belong to the shudra cast, which consists of peasants and laborers. However, what little they owned was lost when the father resorted to alcohol: “His father had owned a boat but he no longer fished, he had sold it to pay his debts.” (Page 3); “Once they had had a buffalo but she, too, had been sold to pay debts.” (Page 6) The fact that his father was no longer providing for the family and that his mother was ailing meant that Hari and his older sister, Lila, had to step up and take the reins of the family, especially taking care of their younger sisters, Bela and Kamal: “Lila had given up going
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