Similarly to Waking Ned Devine, Frank O’Conner’s The Drunkard uses one very obvious form of irony, Situational. The best example in the story of situational irony is when the son went to the bar with his father to
Two tall maple trees, with branches drooping low over the sidewalk, shaded one side of the walls from the morning sunlight.’ This creates an atmosphere which is rather eerie; it makes the reader think of an old jail in which would usually be seen in a movie, it is definitely somewhere nobody would like to be. In Morley Callaghan’s story, he describes the villagers watching the workers at the old jail with ‘a crowd had gathered on the sidewalk by the lamp-post, and while moths and small insects swarmed the high blue carbon light, the crowd had thrown sticks and bottles and small stones at the out of town work men in the jail yard.’ This lets the reader know that these out of town workers were not welcome and adds an aura of tension. When Michael is going to the fishing pier, the author uses symbolism to add suspense. ‘..Michael Foster walked south of town on the dusty road leading to the power-house and Smollet’s fishing pier. He knew that if Mr. K. Smith wanted to get a boat he would go down to the pier.
This overwhelmingly unwelcoming reception that greeted Gerard creates the intimidating environment that the character is experiencing for the first time. Amidst the chaos and gloom of the prison, Hare shows us a small glimmer of humanity in the character of prison officer Raymond Beckett. Although Beckett is presented as a hard headed prison officer who has dealt with thousands of hardened criminals over the years, after hearing Gerard has not been in prison before he shows him some compassion and sympathy. He gives advice on how to survive his first ‘stretch’ in prison. We see evidence of this when Beckett said: ‘you better learn, I’ve seen people go
Film Noir - Double Indemnity Billy Wilder’s Double Indemnity is almost like a basic outline for the Film Noir genre. Film noir settings normally take place in city streets, railway stations, the underground, warehouses or even bars. These atmospheres create a scary feeling and with the big amount of space, it leaves many hidden mysteries or secrets. Other genres can be based nearly anywhere and still create the same impression, but with the use of equal lighting on the setting and characters the impression of Film Noir is made. The many Film Noir conventions through characters is seen in Double Indemnity.
Sam, Chris and Caleb are now pretty rich and buying 3 piece suits and luxury apartments. The Laundering is going well and things are finally looking up until Chris gets bad news.Episode 2: Dirty Money: Caleb decides to invest in meth and other drugs to obtain more money even though he's been clean for three years. He employs the best Cooks, Dealers and Administrators possible just to be safe.Episode 3: Heist: Jack takes a turn for the worst as Caleb looks through his job plans again and is pretty sure He, Sam and Chris Can pull it off. Sam is still clueless about what to do with her share of the money.Episode
Can I get a beer?” Barrel: “Sho.” (Barrel reaches for a glass) “What you putting out ole man?” Tall Man: “ Look here, Barrel we got a question. Who’s brother this here cat’s brother supposed to be? He’s call everybody here brother.” Barrel: “He mine, something wrong?” Narrator: Look man, thats our way of speaking. I meant no harm by calling you brother. I’m sorry you misunderstood me.” Barrel: “Here’s your beer.” McAdams: “ Brother you say ?” (Barrel presses his chest on the bar.)
As the movie comes to a close, Bart shoots General Lamar outside of the Grumman’s Chinese Theater, and as a final message he tells people of all color and nations to get along and live in harmony. The main message of this movie is to make fun of the western genre of films. Mel Brooks is worldly known for his creation of many different film genres and films, and Blazing Saddles hold up to that claim in some people’s opinion one of the funniest films made by brooks. The trailer for this movie would appeal to viewers about 13 and older. By previewing the movie it looks like a western comedy.
Some of the different reasons that the prisoners went crazy were because living and sleeping conditions became intolerable, social and cultural movements outside prisons encouraged the rebelling. The inmates were only entitled to one shower a week and one roll of toilet paper a month. The warden was insensitive and cruel and the guards beat the prisoners. The prisoners were demanding for improvements in the conditions of living as well as educational and training opportunities. This lasted for four days when state police and National Guard troops bum rushed into the prison.
However, Outside in the darkness, lurked the monster Grendel. He gets angry, comes to mead hall, and starts killing people, but Hrothgar remained unharmed because he was protected by God. The coming of Beowulf was also similar with text by introducing Beowulf sailing across the sea to Hrothgar when help was needed to kill Grendel. Both in the text, and in the movie, Beowulf unlocked words deep from his hearts and talked about the Geats and his father, a famous soldier, Edgetho. Then that night Beowulf was awake, eager to meet with Grendel.
Georgia Little in interview with John Costi for unit eight. “Art has rehabilitative powers” Speaking from personal experiences, Central Saint Martin’s student John Costi, explains how art explains how art can breed hope in negative environments and help shape the attitudes of people. John attended prison for two and a half years for robbery, and after embracing his artistic vision, he is now project manager for Art Against Knives, a charity born from the stabbing of a central saint martins student Oliver Hemsley. “I didn’t really go to school,” says john bluntly. Previous to prison, the Central Saint Martin’s Student had no interest in education and spent the majority of his teens involved in petty crime.