Sant'Elia: the Messaggio

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Sant’Elia and the Futurist Movement The Messaggio Antonio Sant’Elia, an Italian futurist, had a profound effect on architecture despite the fact that he died at the age of twenty-eight. His work, mainly sketches, was well recognized after his death, and gained more reputation by Fillippo Merinetti, the founder of Futurism. His drawings were displayed along with a written program, known as the Messaggio, at the Nouve Tendenze exhibition. Although Sant’Elia signed the Messaggio, there are doubts about the true author of the text, where the word “futurism” was never mentioned, along with the fact that his verbal skills weren’t noted at that time. The Messaggio starts with a list of the false ways of thinking towards modern architecture, focusing on the unnecessary decorative elements that architects used to change or replace by time, and rejecting the idea that the form of the building defines whether this building is considered old or new. He encourages architects to link every design stage of a building to the current conditions, “But to raise the new-built structure on a sane plan, gleaning every benefit of science and technology”, and collect anything beneficial from the machine industry resources at that time, in order to have a healthy grown futurist house. Sant’Elia rejected everything traditional, heavy, outrageous, and all what restricts the design to fit with the environmental and cultural conditions, but instead, form new architecture that fall in line with our state of mind, so that it won’t be a continuity of History. He explained that in the past, the style of architecture may have changed with the changes of faith, religion and politics, but never by the great changes of life that erases the old traditions, such as using materials in a rational and scientific way. “Architecture, exhausted by tradition, begins again, forcibly,

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