(Riwt Task 1) Contrast and Compare: Impression & Post-Impressionism

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Contrast & Compare: Impressionism and Post-Impressionism Troy Theisen Western Governor’s University Abstract The purpose of this research is to bring to light some of the differences and likenesses of Impressionism and Post Impressionism as it pertains to visual art in the 19th century. This has been accomplished through reading texts and by viewing and considering the art myself. Interestingly, these types of art were initially abhorred for various reasons by the most prominent of art critics, and then developed into some of the most reveled masterpieces ever created. Keywords: Impressionism, Post-Impressionism, masterpiece To begin the creation of a written assessment wrought with overused specifics where the history of art is concerned would be experientially farcical. Rather, we must first examine the roots of said specifics. Regarding the visual arts created during the Impressionism era, we should take a glance at the social conditions of the age; quite possibly, and most likely, consisting of heavily influencing occurrences and circumstantial consequences meant only to navigate people to a caged and controlled ultimatum, all without personal influence and seriously lacking in the point of view of the greatest number of the population. Through extensive study, it appears that all was not as it seemed. For example, although works of art vary greatly between most periods with distinguishable time between them, art of ages closely situated, and sometimes enmeshed, in time seem to be more distinctively entwined, thus, making it considerably more difficult to determine the differentiating qualities between the eras and the contrasting conditions governing those differences, especially, I will reiterate, the closer the eras were to each other in succession. Let us take a more contiguous look at the social condition at the time of the

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