Richard Wright: Author Versus Critic

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Richard Wright (September 4, 1908 – November 28, 1960) was an African-American author of novels, short-stories, poems, essays, and non-fiction. He was “the first internationally celebrated Black American author” and “the single most influential shaping force in modern Black literary history” (Reilly ix). He paved the way for the black writers such as Ralph Ellison, James Baldwin, Gwendolyn Brooks, and many more. Wright once wrote, “Words can be weapons against injustices” (Wright 1). It was this life-long belief that inspired him to write and turn the oppression, poverty, and racism that he had known since childhood into masterpieces. Of his many works published, the three most renowned are Uncle Tom’s Children (1938), Native Son (1940), and Black Boy: A Record of Childhood and Youth (1945). Uncle Tom’s Children is a collection of five novellas and an introductory essay that appear in the following order: “The Ethics of Living Jim Crow” (essay), “Big Boy Leaves Home”, “Down by the River”, “Long Black Song”, “Fire and Cloud”, and “Bright and Morning Star”. The novellas depict how the lives of young blacks are shaped by racist realities. “Each of Mr. Wright’s four novelette’s is different, yet all have a common background” (Farrell 4). That common background is the recurring illustration of the lives of young blacks being shaped by racist realities and the common theme of finding personal dignity in an oppressive society. The stories collaborate to relate “the bitter experience of the Negro in a white man’s world” (Farrell 4). For example, in “Big Boy Leaves Home”, four black boys are swimming in a forbidden area and are caught, naked, by a white woman. Two of the boys are shot and killed, one is burned by a mob, while the last one (Big Boy) shoots the white woman’s escort in defense and escapes north the following day. This very same abrupt and absurd violence and
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