She was able to prove to the judge her case, but mainly happy because she still wants to hurt her husband. Regardless of the fact that he put himself in this situation, T. Smith can not help but to flaunt her fiancée, feed into the fact that her ex husband still wants her, but can’t have her. She describes him in such derogatory terms, that it makes me feel that in order to have so much hate and hurt, there must still be love and regret. I believe that she still wishes that if her ex husband would have just been good to her, she would still be with him. I believe that she does feel bad that her children, who once really loved their father, have become bitter towards him now.
A theme in the story is “Overcoming Society, Family and Judgment” because everybody in Verona knows about the feud and Juliet still loves Romeo. She also knows people would judge having a relationship with a Montague in general. Why is she daring to have a relationship
Lady Macbeth manifests a misguided loyalty to her husband. Lady Macbeth loves her husband with a genuine if perverted fervour. In her obsession with the achievement of earthly power she calls on the powers of darkness to take her over body and soul. She believes that by doing this both of them will come to have ‘solely sovereign sway and masterdom.’ At the Banquet scene she makes a prodigious effort to remain loyal to her husband and shield his reputation before the lords of Scotland. It is also loyalty, which causes her to faint when the murdered body of Duncan is found in order to prevent Macbeth from exposing his fear before the others.
She deliberately follows through with her marriage to Edgar Linton, despite her open proclamations of love for Heathcliff, with whom she grows up and loves irrevocably, only to unceremoniously abandon because of his insufficient societal rank. She knows that Heathcliff feels devastated, yet does not believe that she has been disloyal to him. She is too blind to see past her own momentary desires. As a result of her betrayal, Edgar and Heathcliff are tossed into a downward spiral of competition, jealousy, and heartbreak. Edgar loves Catherine unconditionally, but knows he has been rendered second-best to a man for whom she holds deeper affections.
Although, by Act IV of the play Othello is convinced, by Iago, that Desdemona is a “whore” and dishonorable to their marriage. Despite Othello’s false and harsh accusations toward her, Desdemona remains pure and honorable to her husband throughout the entire play. This innocence assists the theme because to the audience it is clear that she has done no wrong, and is in fact a very honorable wife, though Othello has been
She states how “the tears that welled [for him] like springs are dry” and that in her dreams even a gnat “piercing like a trumpet” wakes her as she sees him suffering in war (878, 884). In these statements, the use of simile proves effective in showing loyalty to her husband despite her deception. Clytaemnestra clearly exploits her female stereotype to make her husband believe in her happiness and that she truly regrets his absence. She strives to calm his concerns, so that he will never suspect her to betray him and “stab” him in the future (1369). She attempts to gain sympathy from Agamemnon in speaking with exaggerated emotions.
She solved the problems that burgomaster gave her, as well as made a game of her marriage with the burgomaster. Finally she outwitted her husband and her husband always consulted her whenever a very difficult case came up. As a woman lived in those times, she conciliated respect with her cleverness. Raimunda is very kind and tolerant. She hated her mother since she thought her mother should respond on that event that her father raped her.
In the attempt to save her husband s life and pride, she secretly borrowed money to use for his recovery from a deadly illness. She is then faced with the consequences of her dishonest practice, even though her intentions were always honorable. Feminist ideas are clearly presented all through the play, but are most easily seen in the dependence society put on women, Nora’s changing definitions of freedom, and Ibsen’s portrayal of women as self-sacrificial and cunning, using society s view of them as a foil. Ibsen’s play, A Doll’s House uses Nora, the main character to portray how woman were treated in the 19th century. Nora’s husband, Torvald constantly talks down to her, as if she were his child, instead of wife, “HEL.
Cordelia takes on this role by unconditionally loving her father and furthermore forgiving Lear for banishing her, which is seen when she says “No cause, no cause.” (4.7). Edgar takes on a similar role by forgiving his father for going against him when he was tricked by Edmund and taking care of Gloucester in his blindness at the end of the play. The other characters, however, give into temptation and sin more frequently. Pride, for example, is a prominent sin that affects many characters, Lear being a prime example. Lear's pride keeps him from listening to the advice of Kent, the king's most loyal follower, after he banishes Cordelia and admitting he may have been wrong.
Don Pedro is the prime example of this masculine and primitive patriarchy. Don Pedro fiercely believes that it is he who is in charge of choosing what his sisters did with their life, because of his position of power of his sisters. It was he who chose a life of nunnery for Hellena, which clearly was not what Hellena wanted. Hellena, being the free spirit that she is states “I hope he has some mad Companion or other, that will spoil my devotion,” blatantly expressing her desire to lust and to not be a nun. Florinda on the other hand, is treated like a puppet with her father and brother being the puppeteers of her love life.