Regorgitated Sacrifice Essay

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ReGoregitated Sacrifice Within the cinematic genre of horror, we have become accustomed to the splattering of blood and the evisceration of the human creature upon our ocular perceptions. Yet blood and guts have become cliché in the modern horror film. We have become immune and desensitized to the fright and disgust that the horror film is intended to evoke, by its very natures, within our psyche. As our collective visual consciousness evolves as a society and greater universe, the grotesque aesthetics of the horror film must also grow. The insatiable deviance of the contemporary horror fan demands more from the arsenal of seemingly finite biological slaughter and fright. We are no longer shocked by the visual presence of torture and death. We have seen such things ad nauseam. Nausea is exactly where Lucifer Valentine, the regurgitating progenitor of “vomit gore”, arrives into the open mouths of the horror genre. Lucifer Valentine, the Satanic hierophant of Roman Showers and lubricating emetophilia, has invoked utter repulsion within the stomach of horror fans with his fringe classic “Slaughtered Vomit Dolls”. His films are of course not simply expressions of visual disgust through blood, gore, and bile. They have a much deeper and primal resonance. One may say that the films of Lucifer Valentine are cinematic expressions of the unstable uncertain realities of Quantum mechanics. Lucifer Valentine has returned unto existential celluloid planes to unleash the second in his series of murderous bile erotica with the film ReGoregitated Sacrifice. The film continues the tragic ethereal demise of Angela Aberdeen, played with seducing psychological unraveling by Ameara Lavey. ReGoregitated Sacrifice, like its predecessor, is a hallucinogenic non-linear journey between the life and death of Angela. It is a cinematic
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