Realism in Charles Dickens Great Expectations

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According to Dennis Walder, in the novel Great Expectations “we would expect to find that the nature of its realism is more than simply a matter of the presentation of the moral growth of a single character.” Is this true, and in your opinion, where does the realism lie in the novel? _______________________________________________________________________________ Great Expectations is read as a Bildungsroman where Charles Dickens uses an indignant narrative adult voice to give an autobiographical account that probes through the implications of Pip’s realization of a class-divided society. His cost of becoming a gentleman, beyond moral growth that is shaped by his precariousness as he struggles towards a civilized life, is realism distinguished between wealth and poverty, gentility and vulgarity, and, respectability and criminality. Dickens imbues the voice of the matured Pip and exemplifies his psychological struggles with his identity through repeatedly espouses for desire to become a gentleman. Pip suffers increasing deprivation of genteel upbringing and education upon meeting Estella, who does not judge him for his character but for visible marks of class difference- his coarse hands, worn clothing and boots. Slighting his variety of speech, Estella makes insolent remarks on Pip and distances themselves even further. This alludes to the revolution of time in the 19th Century where material wealth and possessions are central; Dickens underwrites the mid-Victorian materialistic obsession at the expense of humanity. With Pip’s escalating ambitions to climb socially and his ‘great expectations’ that form the basic plot of the story allows Dickens to satirize the very class system that he is a part of. His struggles of becoming a gentleman denotes social standing as superficiality and is an insufficient guide to character. On receiving the mysterious fortune,

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