He insults Polonius calling him a Whore-Monger. After this exchange Polonius remarks “Though this be madness, yet there is method in't” (II, II, 204). Meaning that Hamlet could be mad but that there seems to be intent behind his madness. When Rozencranz and Guildenstern visit Hamlet he receives them kindly until he learns they are spying for his mother. He then increases his feigned madness.
Orwell discusses his feelings about imperialism in a straightforward manner and Dillard uses the chase scene to represent her struggle between her actions and the results of her actions. Although there are similar coming age stories and situations in Shooting an Elephant by Orwell and The Chase by Annie Dillard, there are also distinctions which allow the characters to stand on their own and realize that their views of adulthood and the adult world are much different. These characters do crazy moves to get a certain group or person to finally give them respect. Orwell despises his situation in life, and when he is faced with a moral dilemma, a valuable work animal has to die to save his pride. Dillard This overwhelming illustration of the chase builds up the impact of capture as she breaks the rules and years for self discovery.
She also acts flirtatiously in front of the other ranch workers. Through her physical appearance and her own actions, Candy’s description of her seems very accurate. Our negative feelings towards her begin to change when she enters Crooks’ residence. Curley’s wife enters asking for Curley and receives cold hearted responses from the men; she then goes on to talk about her loneliness and isolation, and then begins to start verbally attacking the men and aims the reason for doing so, towards Curley. After Crooks asks her to leave, she threatens him, she says “listen nigger, you know what I can do to you if you open your trap?” she discriminates him and puts him down, so she feels in power.
The men on the ranch fear Curly's wife. She is a temptress of sorts and she is a possession of Curly’s (hence her name). She projects undertones of sexuality in almost everything she says. The men are lonely which only highlights her danger. They do not want the bosses son, Curly, to get angry.
Waters’ also uses two narrators which creates tension and builds the reader up to knowing the truth. Waters’ uses Gentleman to play a key role in the deception between Sue and Maud. “’Then I’ll take her unsuspecting to the madhouse gates’” Gentleman says this as a way to get Sue to play along, it is also foreshadowing that, in fact, it will be Sue entering the madhouse which means that she does not suspect her fate. The use of the adjective ‘unsuspecting’ suggests that they are going to trick her. We, as the reader, see this as unfair but they see it as normal as during the Victorian times, a husband could put their wife in a madhouse without question.
The story of this episode suggests that when people have obsessions, they may unconsciously embody the traits of the objects of their fascination and may not realize this problem in time. Indeed, Martin’s sinister behaviors and actions, the statues’ symbolism of Martin’s admiration and his final realization of his embodiment of the evil side of human nature all showcase that the protagonist unconsciously manifested malevolent characteristics and only realized it once it was too late. Martin’s sinister behaviors and actions show that he has evolved to resemble the object of his obsession; he personifies human’s evil nature. In addition to moving the statues in his house without his wife’s consent, Martin locks his wife from the basement, dupes her by saying that they will only stay for a couple of days, and does not listen to her when she complains about the fact that he has “been paying more attention to these murderers than [he] ever did to [her]” (The New Exhibit 15:34). By prioritizing the statues over his real human relationships, Martin shows that his obsessions have caused him to mistreat his relatives.
The story of this episode suggests that when people have obsessions, they may unconsciously embody the traits of the objects of their fascination and may not realize this problem in time. Indeed, Martin’s sinister behaviors and actions, the statues’ symbolism of Martin’s admiration and his final realization of his embodiment of the evil side of human nature all showcase that the protagonist unconsciously manifested malevolent characteristics and only realized it once it was too late. Martin’s sinister behaviors and actions show that he has evolved to resemble the object of his obsession; he personifies human’s evil nature. In addition to moving the statues in his house without his wife’s consent, Martin locks his wife from the basement, dupes her by saying that they will only stay for a couple of days, and does not listen to her when she complains about the fact that he has “been paying more attention to these murderers than [he] ever did to [her]” (The New Exhibit 15:34). By prioritizing the statues over his real human relationships, Martin shows that his obsessions have caused him to mistreat his relatives.
In 'othello', The way the three women (Bianca, emilia and Desdemona) are depicted represent the ideal expectations of women in Elizabethan society. From a feminist perspective we can gather knowledgeable aspects of textual evidence that represent hints of struggles. Iago's belief for the suspected act of adultery and desire for revenge creates an apt example of his view of women; women are mere possessions. In (II.1.290), the feelings between Iago, emilia and Desdemona are dismissed and ignored. This creates a potential struggle to men not only for the balance of good and evil but also the ideology of sanity.
You were just forced to do Miss Havisham’s bidding by having your heart broken by her man-killer as she put it. Just stop with you many “Beautiful Estella” shenanigans and try to win over a much more gentle lady of society. Sure she may have opulence, wealth, and a slight sense of looking could on the outside but on the inside Estella is nothing but a wicked being polar-opposite to her outside. Estella even got you thinking about how “common” Joe was back when you first became his apprentice. Joe may have been a little rough around the edges with society but he cared for you something you Estella could never do.
There may seem to be many motivations for villains throughout the times but as we study these scoundrels we find that generally they are motivated by pure jealousy, or a need of superiority. They utilize manipulation, both physically and mentally in order to achieve their goals and show a lack of remorse. Stephan King’s “Misery”, provides us with a very graphical depiction in Annie Wilkes a sadistic, mentally unstable retired nurse, who has a desire for power and control. Annie goes to tortuous extremes on her captive Paul Sheldon to realize this. Iago from Shakespeare’s play Othello is also a power hungry villain who enjoys having people under his control, he is driven by extreme jealousy and the motivation, revenge.