Poe Literary Analysis

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William Hillyer Poe paper Comp. From the beginning of “The Cask” Poe’s personally stylized ironic dark humor makes the story worth reading, and as the reader starts to combine the different factors of confusion they can differentiate between the sarcasm, foreshadowing, irony and the poetic sentence structures that create benevolent but fluently cautious connotations needed to obtain understanding of these dark tales. Irony most likely doesn’t sound very petrifying, but irony contributes greatly to the power of “The Cask.” Every where you look you can find irony. In my opinion I believe if you are talking about the cask crime not to talk about irony when talking about “The Cask.” An excellent instance is when there is only one stone left to fit into the wall, and Fortunato says, “Let us be gone.” This is ironic since he’d have to be an absolute fool to think Montresor is going to all those layers of bricks and let him out. Montresor’s retort is even more ironic, “Yes, let us be gone.” He’s torturing Fortunato with his irony – and has been all along. Montresor illustrates the mountain of bones and the reek of human remains in such a sophisticated manner that it comes across as disturbingly appealing. The following passage is a good example:“We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt, in which the foulness of the air caused our flambeaux “ . His sentence structure though creating a grotesque scene full of mystery masques the underlining topic at hand but enhances the readers’ visual perception of the events. When switching from “The Cask” to “The Fall of the House of Usher” you tend to find the overly frequent use of alliteration and poetic structures to produce fluency distinct to Poe’s writing and as his words, “Iciness, a sinking, a sickening of the heart” slips on the page the thoughts of the

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