Picasso's Le Demoiselles D'Avignon

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Picasso’s Les Demoiselles d’Avignon: Primitivism and Cubism in Modern Art R.C. As a formally trained artist in Barcelona and Paris, Pablo Picasso mastered the concepts of Realism and Impressionism. But as a revolutionary artist with an avant-garde attitude, Picasso challenged himself to break away from the formalities of traditional works and evolve with the ever-changing world around him. Les Demoiselles d’Avignon is one of several examples of Picasso’s works from the early 1900s that was influenced by primitive art and demonstrated his success as an artist who triggered the development of Cubism, influencing the evolution of art in the 20th century and defining the world of modern art. Pablo Picasso Pablo Picasso had a lengthy, influential, and successful career. Born in 1881, Picasso lived and studied in in Spain until moving to Paris in 1904 (Kleiner, 2010). While in Spain, Picasso continued his formal training as an artist and studied at the Barcelona Academy of Fine Arts (Kleiner, 2010). Picasso continually evolved as an artist – from Realism to Impressionism, the Blue Period to the Rose Period, then to Primitivism, and from Primitivism evolved Cubism (Kleiner, 2010). Cubism was radically new, intended to strip the artifices of traditional art – the naturalistic rendering of figures and illusionism of space often seen in paintings and sculptures of earlier centuries and artistic periods. His career and prodigious talent afforded him the opportunity to experiment with virtually every artistic medium, never being defined or restrained to a particular one, while remaining true to his traditional roots as a formally trained artist through his studies and preparatory work for each of his major pieces (Kleiner, 2010, p. 694). His ability to use his formal training as a foundation, while continually seeking new ways to express himself as an

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