Palladianism in Eighteenth Century England

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Assess the impact of Andrea Palladio on English country house architecture during the eighteenth century. In this assessment, I will introduce Andreo Palladio and his work. I will also touch on Inigo Jones the advocate of the Palladian style in early seventeenth century England. To discuss eighteenth century English country house architecture, I will focus on Colen Campbell, Lord Burlington’s work at Chiswick House and his associate, William Kent. Andrea Palladio (1508–1580) was born in Padua near Venice[1]. Having trained initially as a stonemason in Vicenza during his teens, he was later to become one of the most influential architects of all time. Palladio drew his influence from the first century BCE writings of Vitruvius (De Architectura) and favoured the order and restraint of the ancient classical style. Perfect proportion, rhythm and symmetry were features of the classical architecture Palladio applied to his designs for villas of wealthy Italian merchants and nobles in northern Italian cities such as Vicenza and Venice. From 1541 onwards, Palladio regularly travelled to Rome with the help of his patron Count Giangiorgio Trissino.[2] His appreciation of classical architecture was developed during these visits. He strove for beauty in architecture through the use of perfect form and proportion that is pleasing to the eye. Perfect shapes such as circles, squares and cubic squares were favoured. Grandeur was expressed by imposing temple fronts and porticos. Palladio’s favoured villa design was made up of a central main house with wings on either side joined to the main house by low walls, arcades or colonnades. These outer wings were designed to be farm outbuildings or kitchens, whereas the main house was for living and entertaining. In 1571, Palladio’s I Quattro libri del Architettura (The Four Books of Architecture) was published. This
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