Othello'siago - Deception, Manipulation, Jealousy

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Deception, manipulation and jealousy - three fundamental concepts that Iago comes to represent in Shakespeare’s, Othello.
From the opening scene, Iago displays many of these characteristics that are to epitomise his pivotal role in the progress of Othello. Perhaps his most revealing declaration at this early point is his proud boast `I am not what I am'. Iago’s ability to deceive those around him is integral in his success and capability to manipulate all so well. The enormity of his deception is displayed through the description of Iago as an honest man throughout the play. “Iago is most honest” “honest Iago” “a man he is of honesty and trust” – these perceptions of Iago by his fellow characters, and the repetition of the word honest, emphasise the total depth of his facade, and through this Iago embodies the fundamental role of deception as vital in the formation of the plot.
Iago is able to beguile through linguistic matter which ultimately destroys the ordered control of normal behaviour patterns of those around him. This is seen best by noting Iago’s use of animal imagery in order to manipulate. From the onset of the play, Iago is the sole user of bestial imagery. “Even now, now, very now, an old black ram / is tupping your white ewe.” The repetition of ‘now’ adds tension, and the crude language of Iago only goes to anger Brabantio causing him to take action, satisfying Iago’s intentions. As the plot develops, Iago’s manipulation is made clear as characters around him succumb to his desires and his sheer influence is finalised where we see Othello begin to adopt the use of bestial imagery in Act 3, while Iago himself ceases to use it. Iago’s contamination of Othello indicates the extent to which he has been able control him and his thoughts in order to bring about his annihilation, representing the ultimate capacity of Iago to utilise and implement his

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