From this, the reader can gain a sense of her ignorance. Her primary concern was her appearance and personal state which made her the most out of place of all her sisters. Other hints at her materialistic flaws were when her "precious toiletries" were replaced by more practical things. This disgusted her as she didn't know how she could live without these possessions. This behavior was normal in white America, however when she was placed in an obscure
Steinbeck portrays him as paranoid and insecure for which he overcompensates for with aggression. In section 4 we find talking to Crooks, Candy and Lennie, in this section we see a glimpse of her true self, after which she then overcompensates for her vulnerability by threatening to have Crooks lynched. This gives us the impression that she is evil. Finally in section 5 we see the true version of Curley's wife, we learn she has dreams, just like everyone else, and also falls victim to loneliness (another big theme of the novel). In death, we see what she really looks like, innocent and pure.
There was one particular quote in the novel that seemed out of place in my opinion. The quote depicts women in a very negative way. The beginning of the quote is as followed: “Experience will teach you the real characters of the beings who chiefly compose your species” (86). The statement was made by a male character from the novel. Then the quote continues and states: “You will find them, [women] a set of harpies, absurd, treacherous, and deceitful—regardless of strong obligations, and mindful of slight injuries…” (86).
McDougald thinks that the low class black women intrude as a hindrance for the entire black race and the few who have proven their dominant are still associated with ignorance and the signification of being a black woman. McDougald highlights the accomplishments of many African American women as if they have gone unnoticed. She wants to gain recognition as a successful black
I felt that she brought a very different and enlightening perspective, and had some interesting ideas. The very title, for instance, is thought provoking: “Size 6: The Western Women’s Harem”. The idea that our society’s rigid, harsh, and downright expectations of women’s bodies create an environment as restrictive and demeaning as a harem. In her article, Mernissi talks about how women are negatively affected by body image, and how their self esteem suffers as they strive to imitate what they think people want.She states, “Being frozen into the passive position of an object whose very existence depends on the eyes of its beholder turns the educated modern Western women into a harem slave”. She places the blame on both men and women.
The word ‘my’ emphasises the fact that she is his possession. Another interpretation would be that CW doesn’t have a name as women were seen as inferior. Therefore needs to deserve a name. This links with sexism in the 1930’s as women were the inferior and the weaker sex. This is because women were not cut out for jobs like working on a ranch like the other workmen, and therefore were seen as incapable.
She claims her argument is about “hair, breasts, and identity,” she is really just ranting and raving her being disrespected and her own issues of being black. Wilson begins with her hair being the issue of her being identified with being a girl. In the introduction you feel as if she’s arguing that women are judged on how exactly woman enough they are by what others perceive them to be and look like. When she cut her hair she states that “people get so twisted over female presentation and what exactly is feminine that my bald head is cause for pause” (Wilson 22), that’s where a reader may assume her main
Austen reveals Elizabeth’s character as an example about how she wanted to have her own self independence during that time period. Elizabeth is very out spoken for a young lady as herself, most of the ladies during that time period wasn’t fond of Elizabeth and her wild manner, as she wasn’t fond of people in the upper class behavior towards those in a different class. Mr. Darcy in the beginning of the novel was referred as a “bitterness of spirit...and shockingly [rude]”pg. 15 chapter 3. Mrs. Bennet thinks “[Elizabeth] does not lose much suiting his fancy; for he is a most disagreeable, horrid man, not at all worth pleasing” pg.
Discuss madness in relation to Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’. The ‘revolting’(pg 3) paper is the eponymous metaphor of the novella. The wallpaper has layers, hidden depths and intricacies which can only be seen by close examination and only understood by the narrator by her when her obsessive interrogation of it reaches its disturbing climax. This wallpaper is an allegory which represents the complications of a woman’s position in conventional marriage behind the façade, or outer ‘pattern’(pg 3) of the sanction. Throughout the text, Gilman attempts to uncover the often disturbing truths that lurk beneath the surface of something seemingly innocent with reference to her own socio-economic philosophy; that is the economics of marriage and the nature of the mentally destructive sub-ordination of women within it.
Her use of words in ‘Elm’ is also interesting. “Faults” could be emotional and/or physical and this shows the psychological states explored throughout Sylvia Plath’s work. “Malignity” symbolises evil and the intensity of how disturbed her life was.Another poem by Plath that I found to be personal on an intense and disturbing way was ‘Mirror’. It is clear as Plath looks into the mirror that she is unhappy, watching her age. A mirror never lies, but Plath cannot find solace in what she sees.