Modernism In Dracula

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Stoker’s Warning: Be Wary of Modernity Throughout its entirety, the novel Dracula, by Bram Stoker, attempts to warn its readers of the dangers of advance. Bram Stoker wrote his famous novel during a time of extraordinary change in England. The Victorian way of life, a way of life that had ruled England for generations upon generations, was finally giving way to the industrial age. With the industrial age came the rise of new ways of thought and life, including a bigger focus on scientific breakthroughs, a revolution in female expression, and a massive influx of foreigners into Britain, bringing along with them unheard of customs and ideas. For Stoker, this new way of life seemed dangerous and scarily new, threatening to usurp everything…show more content…
Tasks that were once considered to be works of God became suddenly explainable through science. Dracula shows the dangers of a society that relies too much on technology while trying to explain that religion is worth reviewing. A great example of this theme within the novel is the inability of practitioners of modern science and technology to aid Lucy after Dracula infects her. Dr. Seward is the epitome of the modern man, relying completely on his logic and western training, believing only that which science can prove. This trait of disbelief in Seward becomes the reason that Seward is unable to diagnose what Lucy has, eventually leading to a scolding by his former teacher, Dr. Van Helsing, “You are a clever man, friend John; you reason well, and your wit is bold; but you are too prejudiced” (112). Unlike Seward, Van Helsing incorporates both industrial scientific modernity as well as ancient lore and Christianity in making his diagnosis. It is because of this open-mindedness and willingness to believe what logic would doubt that he, not Seward, is able to aid Lucy. Through Van Helsing, Stoker tries to warn the reader of becoming too confident in modern science so as to forget religion and faith. As Van Helsing himself…show more content…
The growth of England into an industrial country also brings along changes in female sexual expression and feminism, as women are allowed more freedom to express themselves inwardly. Stoker, a true Victorian, writes within his story about the change of women to sexual beings. Women of the time were expected to be pure, virgin, women devoted to their men. This ideal is portrayed through Mina and Lucy, as two stereotypical women of Victorian times. Despite Lucy’s flirtatious manner and breezy ways, both Mina and Lucy are pure and sweet women, truly in love with their men. In Victorian England, women were either wives, or virgins. However, Dracula destroys the very essence of Lucy by turning her into a vampire. As a vampire, women become objects of desire and sexual gratification, an idea very contrary to Victorian norms. They become devoid of their purity, able to make men abandon all logic and control. This ability of women is best shown through Dracula’s wives, who are creatures noted most for their voluptuousness, “ The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck, she actually licked her lips like an animal. . . . Lower and lower went her head as the lips went below the
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