Migrant Hostel By Tracey

840 Words4 Pages
Belonging is an inevitable human quest that drives an individual for better or for worse. It is a concept that deals with the human need or desire to feel a connection with a person, place or community. Perceptions and ideas of belonging, or not belonging, vary within each individual and can be shaped by personal past experiences and relationships. Individuals may find the tensions between their identity and their context damaging. Many texts explore the positive aspects of belonging but many texts explore the negatives; alienation, and obstruction, or the impositions that are incurred by belonging. Such texts include the poems of Peter Schrznecki featured in Immigrant Chronicle and Artwork installation ‘Everyone I’ve ever slept with’ by Tracey…show more content…
Migrant hostel portrays an image of the persona experiencing hardships towards his new lifestyle and loss of sense of self. Being placed in an institutionalised area displays many metaphorical boundaries and barriers towards the persona, a sense of confusion is evident as his loss of traditional culture and language is diminished and depicted as insignificant to society. The title “Migrant Hostel” a sense of temporary accommodation is echoed in the detached tone of “arrivals of new comers”. “Sudden departures from adjoining blocks” expressing the constant change of environment, relationships and identities of the…show more content…
This also represents that they are finding people with the same experience who thus have the same degree of belonging to a group. However, this also creates a paradox as “pigeons” represent freedom and lack of restriction, whereas the persona in this new environment is restricted. Here we can also find that the sense of belonging is not only based on experience, but is also related to the notion of identity. My supplementary text ‘Everyone I’ve ever slept with’ by Tracey Emmin provides an intratexual link with Migrant hostel as the persona and central character both reflect on the traumatic past experiences of feeling insignificant and worthless. The work is a personal narrative relating to the ominous events of her childhood and adolescence, so that the viewers receive a personal insight to her confessional accounts, a response to the emotional trajectory of her

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