Macbeth- Appearance of Banquo's Ghost Essay

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In William Shakespeare’s Macbeth, the appearance of Banquo’s ghost, which indicates Macbeth’s guilty conscience, is known to be one of the most significant scenes within the play. In fact, there are many adapted versions of this famous scene, all in which Macbeth is threatened with the memory of Banquo. Two of these forms are 1) a filmed performance from the Brooklyn Academy of Music that was directed by Rupert Goold and 2) the graphic novel adaption by Ken Hoshine titled No Fear Shakespeare. Both adaptations have important scenes that match Shakespeare’s original vision, but the form that is a more faithful representation of Shakespeare's work is the graphic novel. Nevertheless, the film adaption known as Macbeth is a suitable remake of the initial scene. After having the opportunity to observe both recreations of this play, I’ve concluded that the graphic novel stays true to the original form more so than the film adaptation does for a variety of reasons. First of all, most of the visual aspects of the graphic novel matched what I imagined them to be while reading the original text. For example, when Banquo first entered the scene, he sat in the seat reserved for Macbeth. Hoshine illustrated that exact imagery in his graphic novel. In addition, the illustration shows Banquo with a dead stare in his eyes and blood smeared across his cheeks, like that of an individual who has resurrected from the dead. This image explains why, in the play, Macbeth was so mortified of Banquo’s presence, exclaiming “Thou canst not say I did it. Never shake thy gory locks at me.” Another example of how this form of Shakespeare’s Macbeth is related to the actual play is that the illustrations of the characters are very accurate. Both Macbeth and his wife, Lady Macbeth, are dressed like royalty, which implies that they are, indeed, the king and queen of the throne- both wearing

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