John is very much aware of his wife, the narrator’s mental insecurity. Simultaneously, he embraces a conscious ignorance of his wife, telling her that it would not benefit the situation “if I [she] had ... less opposition and more society and stimulus” (Gilman 1). The reader can assume that John is initially embarrassed and disillusioned by his wife’s illness. This is reiterated as he (“a physician of high standing”) “assures friends and relatives that there is really nothing the matter with one but temporary nervous depression” (Gilman 1). In this instance, John’s social standing as a husband and a doctor conspire against the narrator’s enunciation of her illness.
When two people marry it should be because they love each other not because of money and the pressures from you family. F. Scott Fitzgerald describes the lives of Daisy and Tom Buchanan and also Daisy’s former lover, Jay Gatsby. In this novel ‘The Great Gatsby’ the conflict occurs when Daisy is about to marry Tom but finds out that Gatsby wants to resurrect their previous relationship. Family pressure, money and love are ideas presented in the passage through characterisation and symbolism and the reader is encouraged to disagree with Daisy’s actions. In many families there are conflicts or disagreements.
Yousef. N Mr. Thomas ENG4U1 March, 25, 2013 A Women’s life, from a Feminist Approach, “The Painted Door” In the story by Sinclair Ross “The Painted Door” the main character, Anne, represents a weak, unhappy, selfish and insecure woman who is not pleased with her husband’s life choices. Employing the Feminist approach to “The Painted Door” reveals striking aspects that would otherwise be imperceptible. In society, often times a woman is shown as a person who is incapable of being alone; she will always need someone with her too keep her satisfied. Firstly, one can see this when it shows how Anne feels about being alone and what she does to make sure she is not alone for the night.
Typically, a husband who can’t consummate a marriage should be abandoned without hesitation. When Bertrande is “urged by her relatives to separate from Martin, she firmly refuse[s]” (28). This decision reveals Bertrande’s “certain character traits…a concern for her reputation as a woman, a stubborn independence” (28). Bertrande cleverly calculates the advantages she possesses as a result of Martin’s incompetence. “Her refusal to have her marriage dissolved…freed her temporarily from certain wifely duties…gave her a chance to have a girlhood” (28).
"(PROLOGUE 16-28)" In those lines Antigone shows that her “love” for her brother will leave her “hating” her sister. Ismene is fearful of burying Polyneices, “But think of the danger! Think of what Creon will do!” (PROLOGUE 34). Her devotion to her family is not as strong as Antigones. By accepting the obligation to bury Polyneices, Antigone acts as if she has no choice.
While in her mother’s eyes, she only supported her daughter and craved the absolute best for her child. Schwind-Pawlak presents this argument poorly due to her change of heart towards the end of the essay. She does not stick to her beginning argument which causes the opposition to lack stability. The two authors support their arguments by providing evidence. The supporting evidence of the two essay’s help reveal the hardships teenagers face while dealing with their parents.
Nora Helmer, in Henrick Ibsen’s A Doll House seems like a naïve character that doesn’t have knowledge of the outside world and the importance of life. She sounds like a happy person that hasn’t gone through hardship, and doesn’t know how to make the right choices for herself. When she starts to realize that life shouldn’t be like this, we see that she isn’t as happy as she seems. Ibsen uses her husband Torvald Helmer to criticize Nora Helmer’s choices. Ibsen has an intelligent way of criticizing the choices Nora makes by using Torvald to insult her decisions.
Nora behaves childishly and he enjoys treating her like a child to be instructed and indulged. Soon an old friend of Nora's, Christine Linde, arrives. She is a childless widow who is moving back to the city. Her husband left her no money, so she has tried different kinds of work, and now hopes to find some work that is not too strenuous. Nora confides to Christine that she once secretly borrowed money from a disgraced lawyer, Nils Krogstad, to save Torvald's life when he was very ill, but she has not told him in order to protect his pride.
"She was a girl who for a ringing phone dropped exactly nothing." (Salinger, 1). Muriel neglects her husband's problems and needs. It seems like she cares for him when she is talking with her mother in the first scene but she repeatedly dismissed her mothers worry for him and herself. He thinks his only hope is to escape-permanently.
She does not feel comfortable taking on the old fashioned lifestyle her mother and sister do. Dee is a more contemporary version of society striving to leave their home and become successful. Dee inadvertently talked down to her mother and sister, reading to them on several occasion as if they were ignorant (121). Dee appeared to be very intimidating