Ibsen and Feminism

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Ibsen and Feminism Ibsen a Feminist or Socialist: The question of Ibsen’s relationship to feminism, whether one is referring specifically to the turn-of-the-century women’s movement or more generally to feminism as an ideology, has been a vexed one. The view supporting Ibsen as feminist can be seen to lie along a spectrum of attitudes with Ibsen as quasi-socialist at one end and Ibsen as humanist at the other. Proponents of the first stance might point to an amateur performance of A Doll’s House in 1886 in a Bloomsbury drawing room in which all the participants were not only associated with the feminist cause but had achieved or would achieve prominence in the British socialist movement. Looking at Ibsen’s advocates in terms of political groups, one may safely claim that his strongest supporters were found in socialist circles. Ibsen and Women Cause: Ibsen himself often linked the women’s cause to other areas in need of reform, arguingfor example that ‘all the unprivileged’ (including women) should form a strong progressive party to fight for the improvement of women’s position and of education. Similarly, in a frequently quoted speech made to the working men of Trondheim in 1885, Ibsen stated: The transformation of social conditions which is now being undertaken in the rest of Europe is very largely concerned with the future status of the workers and of women. That is what I am hoping and waiting for, that is what I shall work for, all I can. The question of Ibsen’s relationship to socialism is illuminated by the fact that, in the nineteenth century, socialism and feminism were familiar bedfellows. The most prominent socialist thinkers of the day, male and female, saw that true sexual equality necessitates fundamental changes in the structure of society; it is no accident that progressive attitudes toward women in Scandinavia have been bound up with overall

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