Hundred Years of Solititude

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TECHNIQUES IN GABRIEL GARCIA MARQUEZ’S ONE HUNDRED YEARS OF SOLITUDE Believed by many to be one of the world’s greatest writers, Gabriel García Márquez is a Spanish Colombian-born author and journalist, winner of the 1982 Nobel Prize for Literature and a pioneer of the Latin American “Boom.” Affectionately known as “Gabo” to millions of readers, he first won international fame with his masterpiece, One Hundred Years of Solitude, a defining classic of twentieth century literature. His works have achieved significant critical acclaim and widespread commercial success, most notably for popularizing a literary style labeled as magical realism, which uses magical elements and events in otherwise ordinary and realistic situations. Some of his works are set in a fictional village called Macondo, and most of them express the theme of solitude. Some of his major works are, One Hundred Years of Solitude (1967), The Autumn of the Patriarch (1975), Chronicle of a Death Foretold (1981), Love in the Time of Cholera (1985), The General in His Labyrinth (1989), Of Love and Other Demons (1994), Memories of My Melancholy Whores (2004) . One Hundred Years of Solitude was published in his native Spanish in 1967, as Cien de Soledad, Garcia Marquez achieved true international fame; he went on to receive the Nobel Prize for Literature in 1982. Garcia Marquez’s native town of Aracataca is the inspiration for much of his fiction, and there are many parallels between the real-life history of Garcia Marquez’s hometown and the history of his work’s fictional town, Macondo. The novel reflects political ideas that apply to Latin America as a whole. Latin America once had a thriving population of native Aztecs and Incas, but, slowly, as European explorers arrived, the native population had to adjust to the technology and capitalism that the outsiders brought with them.
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