Hamlet And Gertrude - Act Iii, Scene Iv

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John Hoty Intro: Literature Response #3 3/29/12 In Act III, Scene IV of Hamlet, the melancholy Dane enters his Mother’s private chambers to discuss the aftermath of “The Mouse Trap’s” effects on Claudius. And just as swiftly as Gertrude begins questioning Hamlet, the Prince is quick to deflect her criticism, redirecting them at her. Unbeknownst to Hamlet, Polonius has hidden behind a nearby arras to eavesdrop on the conversation, hoping to gain some ground on Hamlet’s bizarre and threatening behavior. Instead, Polonius’ efforts are soured when he is discovered by Hamlet – who has mistaken him for Claudius – and hastily murdered. What results is one of the play’s most recognized scenes wherein Hamlet and Gertrude exchange in a befuddled discourse that examines blame, love, hate and guilt. In all of Shakespeare’s venerable works, and especially this incredible play, I have always been fond of this scene and the emotional fireworks that not only galvanize the drama but provide some of the finest moments for a pair of actors to establish their credibility on stage. In Franco Zefferelli’s 1990 film adaptation of Hamlet, this scene is played out by two astounding talents as they inhabit the skin and soul of both Hamlet and Gertrude, sprawling a gamut of emotional reactions that centralize Shakespeare’s potency in the realm of great drama. As when Hamlet first enters, he plays coy and sarcastic before exploding in rage to murder the man hiding behind the arras. Though he discovers that his victim is, in fact, not whom he was intending to kill, Hamlet’s volatile reaction sends the scene into a frenzy paralleling his heightened emotional state. Gertrude, too, becomes a victim as Hamlet incites in her a need to recognize her own accomplice to her dead husband’s murder, as well as the incestuous deed of marrying his brother. As they carry on, it can be
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