She prefers to spend more time with herself than with her family because of this she has a weak relationship with her parents. The story discusses how she has two sides: one for home and one for not being home. Her abduction was solely due to her fault for her appearance that she presented in public, to the relationship that she had with her family and lastly her naiveness. The antagonist Arnold Friend somehow knew about Connie. He saw a great opportunity the moment he set his eyes on her.
She mourned of her husband’s passing but as she went up the flight of stairs into her room, Mrs. Mallard came to realize of her newfound freedom. She soon relished her liberation from her marriage to her husband Brently. Such freedom was short-lived, and as she her eyes caught sight of her husband’s entrance into the house, her heart gave way and she died. The two women do indeed share some similarities, but also at the same time show various differences that make their respective situations unique. Among the similarities between Calixta and Mrs. Mallard are the conditions of their marriages around the time of the stories: Calixta to Bobinot and Mrs. Mallard with Brently Mallard.
Antonia is a young girl who deals with family issues and overwhelming responsibility in her one depressed parent family. On the other hand Jazz deals with trying to make her parents accept who she truly is and she also constantly rebels. While Jazz's Gothic look may be deceiving but she is completely different once you get to know her. Someone of her appearance would never be assumed to play the piano and save lives as a lifeguard. While the two girls have their own unique points they also have one thing in common and that is family issues.
She lives a stagnant life and does not move forward in finding the fulfillment she needs. Although she tried to make conversation that would please her husband by asking him, “Henry, could we have wine at dinner?” and, “Henry, at those prized fights, do the men hurt each other very much?” (p. 636), this is a conversation that would only interest Elisa’s husband and not herself. Elisa seems to have accepted the societal norms of living by the man’s rules. Women in this era had their housewife duties and took care of their husbands regardless of what their needs or wants were. Gender inequality was normal during the time this story was written.
The room is becoming her obsession and her only true passion. Her husband is becoming less of a focus and she is not as uncomfortable with the inside of her prison as before, and longs less and less to leave. Her relationship with the outside world is becoming skewered, but her initial interpretation of the room as a prison with yellow walls remains the same. Her visualization of the women within the wallpaper, is her subconscious recollection of her initial state of mind before her mental deterioration. Her current self, that is removed from her previous, more sane state, is becoming confortable in the room and feels she can do what she wants in it, however her recollection which still hangs with her drives her to feel the need to rip down the yellow wallpaper.
Eddie felt humiliated about where she was raised, she didn't want to be associated with the "scandals" that belonged to the shacks north of the creek. She believed that, since she grew up in the shacks, she was worth less than the next person. Edith was embarrassed by her drunken father, even though none of his actions were ever her fault. Her mother, a "hallelujah-shouting fool" who preached, but never actually went to church, was also a huge contributor to the way Eddie felt. With people tormenting her about her cousins who were teen moms, or her father who made a fool of his drunken self in public, the poor girl felt like nothing more than dirt, and she wanted to be thought of as flawless and beautiful.
In the time of Gilead, the women were taken from their homes where they were brainwashed by speeches from their “Aunts” who argued that “such a social order ultimately offers the women more respect and safety then the old, pre-Gilead society offered them” (Sparknotes). In their new age, they’re simply used to run errands and bear children in the homes of Commanders that have trouble conceiving with their wives. They are fed small bits of information on what is going on in the Republic and are expected to be content with just that. Offred spends a great amount time thinking of her old life with her husband, Luke, and their young daughter. Then, one night her Commander asks to see her privately where they play Scrabble (which is illegal because in Gilead, women are not allowed to read) and she is allowed to look at old magazines; to conclude these secret encounters, the Commander asks Offred to kiss him.
In contrast to Cindy’s new found self esteem, her mother seemed to uphold a strong lack of confidence in her daughter and in herself as well. By the same token, in the second article “The Thrill of Victory … The Agony of Parents”, the author presents the opposition through her mother. Jennifer Schwind’s mother appeared as an embarrassment to her publicly and emotionally. “In a voice so screeching that it rivaled fingernails on a blackboard, she told him that he was a disgraceful coach and that he should be ashamed of himself” (Pawlak 3). While in her mother’s eyes, she only supported her daughter and craved the absolute best for her child.
She did not find that a marriage service generated love; she did not enable her husband to recapture his youth through hers; nor could she compensate for that by running his home in the manner of an experienced housekeeper.” This quote illustrates that Elias Strorm was very cruel to her that she died after her second child was born. She was a beautiful, young woman who Elias turned into a very dull person. She always wanted him to be happy and be a good person, but that did not happen, he was just unfair and unpleasant to everyone. To conclude Elias Strorm’s wife is a good supporter of her husband as well as Emily Strorm. The role of women does demonstrate bystanders and supporters of their husbands and family member.
The sunshine represents the good in someone and the shadows symbolize the knowledge that Caitlin lacks about Billy and that she is an outsider in Billy’s home. The polysyndeton ‘...and says “thanks” and that’s when I turn and run” tells a lot about Caitlin’s way of looking at someone. Even though Caitlin doesn’t wish to, she belongs to mainstream society, and this influences how she judges someone. These techniques have shown that through the environment she grew up in and the connection she has with her parents, Caitlin still does not completely understand Billy’s way of life. This impacts her sense of belonging with