Gothic horror was a common genre of use in the time Frankenstein was written. This was a time of great novels such as Dracula and Hound of the Baskervilles. Gothic horror is traditionally set in dark castles and countryside with eerie moaning music and bad weather Written in 1818 Frankenstein is the deeply disturbing tale of a monstrous unnamed creation that was created in the name of science. Huge and strong, the creature created by Victor Frankenstein kills and murders many throughout the tale, but considering his tragic beginnings I must ask, who is the real monster in this gothic tale of horror? Frankenstein is cleverly written in two parts.
How does Susan Hill use Pathetic Fallacy to create mood and atmosphere in Chapter 2? In Susan Hill’s book ‘The Woman in Black’, Hill uses Pathetic Fallacy to show the setting of London in the 1920’s. Hill sets the scene with the very first sentence of the paragraph, ‘where it was already growing dark, not because of the lateness of the hour...but because of the fog.’ He describes how it hemmed us in on all sides; this is creating a feeling of entrapment like Eel Marsh House. She then goes on to describe how the fog was ‘hanging over the river, creeping in and out of alleyways...seething through cracks and crannies like sour breath’, this is creating an atmosphere of malevolence. All of these small details that Hill has included in her description
In the chapter entitled ‘Christmas Eve’ he is in utter darkness as it is late at night. Him being in darkness reduces his visibility of the outside world and therefore makes him isolated. The houses and
Pluviophobia- Fear of rain or of being rained on. Pneumatiphobia- Fear of spirits. Pnigophobia or Pnigerophobia- Fear of choking of being smothered. Pocrescophobia- Fear of gaining weight. (Obesophobia) Pogonophobia- Fear of beards.
To add to this the discovery of Frankenstein’s journal also escalates the creatures loathing for Frankenstein. There are many tipping points for the creature, some of which I have already outlined, that turns him into the evil monster he becomes. Some of these include getting rejected by the De Lacey family, getting shot, and the immediate rejection from society he inevitably receives every time people see his appearance. He is always judged on his looks, mistreated, rejected and maimed by society. We also see how the creature has adapted and developed when he encounters Frankenstein on the sea ice.
Dracula diffidently contains gloom and horror. There are wolves howling at the Count’s command, Jonathan gets trapped in a room with the three female vampires, and the females cackle is spooky. The presence of gore also proves that Dracula contains horror. Dracula drinks blood, and to kill the vampires stakes where driven through their hearts. Dracula is Gothic literature
Mary Shelley uses many language devices to portray conflict in the novel Frankenstein. In chapter 5, Mary Shelley uses alliteration to convey to the reader the emotional conflict the monster is forced to face. Victor finally finishes his creation and observes its appearance: “I beheld the wretch -- the miserable monster who I created”. This suggests to the reader that Victor is not pleased with his creation as he calls him a “monster”; the word “monster” makes the reader visualize a horrendous, spine-chilling, eerie creation creating a dark ambience. Furthermore, the author uses feelings to describe the monster.
I will analyze the author's title and expain the relationship between the title and the novel. I will also discuss the effect of the title on the reader. -The name "Frankenstein" is often used to refer to the monster itself. Frankenstein is a well established title because it gives a hint of the theme. In the novel, the monster is identified by words such as "creature," "monster", "fiend", "wretch", "vile insect","being", and "it", but speaking to Dr. Frankenstein, the monster refers to himself as "the Adam of your labors", and elsewhere as someone who "would have" been "your Adam", but is instead your "fallen angel."
Destiny Marcum Ms. Wilkerson Ap Lit 6th 5 October 2011 Chapters 17-21 In Mary Shelley’s Frankenstein, on page one hundred twenty one, Chapter 17, in the passage beginning with “Cursed, cursed, creator,” and ending on page one hundred twenty one with, “this insupportable misery,” Mary Shelley uses literary devices to create the different tones of the passage, resembling enraged, wrathful, savage, mocking, insanity, and revenge, in the creature as he finally accepts/declares himself as a monster, who will seek revenge on those who have oppressed him into “insupportable misery.” Throughout the passage Shelley uses frequent punctuation, making the passage go faster, building up suspense and importance, as the creature accepts himself
It represents imprisonment and this is made clear when the she says, “The faint figure behind seemed to shake the pattern, just as if she wanted to get out”. (245) The imprisonment is created from the yellow wallpaper because the Jane repeatedly asks to remove it but isn’t allowed and she is confined to the room she despises due to the stubbornness seen from her husband. You can see Jane slowly descend into her madness with her hallucinations- “The only thing I can think of that it is like is the color of the paper! A yellow smell." (248) “At night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars!