Explication of William Blake's "London"

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In “London”, William Blake uses many stylistic devices to convey the setting and the tone of the poem to his readers through the first person point of view of a person walking through old London. A solemn and oppressive mood is articulated through rhyme scheme, parallelism, repetition and more. The writer uses two senses, hearing and vision, to tell a story of the confinement felt by residents and of the early loss of innocence in a city riddled with corruption. The four stanzas and perfect abab rhyme scheme help show that what the writer is seeing and hearing is not only ubiquitous, but also cyclical and persistent. Blake also uses the meter to reflect the ideas the poem is trying to get across. “London” is predominantly iambic tetrameter however; some lines have only seven syllables, which can be interpreted to show incompleteness or weakness. This is a metaphor for the town at which the writer is describing. The parallelism that Blake uses in stanza two provide the feeling of how vast this corruption has spread. “In every” is used to start the first three lines of this stanza and also appears in third line of the first stanza which cements the fact that this confinement is felt by absolutely everybody he comes across in the city. Also, the repetition of words like “cry”, “charter’d”, “tear” and “marks” implicitly emphasize the prevalence of the encountered tragedies. The “cry” of infants, chimney sweepers (kids) and of men shows how the corruption goes full circle; one is born into it and one dies with it. The imagery in this poem is critical and starting with lines 3 and 4 the reader is fully able to grasp the woeful tone of “London”. The “mind-forg’d manacles” are symbolic of residents who feel they really have no power in their situation and believe they can do nothing to heal it. The writer believes he hears these manacles, likely, as one would hear the
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