Edwidge Danticat's 'The Farming Of Bones'

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Edwidge Danticat Born: January 19 1969; near Port-au-Prince, Haiti. Education: Clara Barton High School, Brooklyn; Barnard College, New York; Brown University, Rhode Island. Married: 2002 Faidherbe Boyer. Career: 1993-95 documentary film work with Jonathan Demme; university teaching in New York, Miami and Texas. Fiction: 1994 Breath, Eyes, Memory; '95 Krik? Krak! (stories); '98 The Farming of Bones; 2002 Behind the Mountains; '04 The Dew Breaker; Anacaona (forthcoming). Non-fiction: 2000 (ed) The Beacon Best of 2000; '01 (ed) The Butterfly's Way; '02 After the Dance. Films (associate producer) : 1996 Courage and Pain; '03 The Agronomist. Some awards: 1995 Pushcart Short Story Prize; '99 American Book Award. In the run-up to this month's…show more content…
"In a 30-year dictatorship there are so many silences, fears," she says. "I try to fill in the gaps, at least for myself." The massacre, "just a line in my textbook", was "still so real to people: Haitians working in the Dominican Republic in the 1970s and 80s were afraid it could be repeated." She met an artist whose grandmother had survived it. "Incorporating these stories anchors it for me; it's keeping them alive by retelling." According to Patricia Benoît, "Edwidge ignores praise - she changes the subject. She has a modest perseverance, not a grandiose sense of self." When she appeared on a major television show, "her parents were watching the football". Danticat lived with them after college and they remain a close family. She has three brothers: André is a teacher, Kelly a gospel musician and Karl a stockbroker, and she has two nieces and a nephew. "She's dealt with her anger," says Benoît. "She saw how hard her parents worked, and understood her mother had to leave because of the economic…show more content…
Though interested in trauma, she says, "healing is harder; it can take generations. I try to resist being trite." After the Dance, about a visit to the annual carnival in Jacmel, records a personal homecoming. Yet its title is from a Creole proverb, "after the dance the drum is heavy". The brief release and exhilaration of carnival become a metaphor for Haiti's heady evolution and possibility, repeatedly crushed by

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