26 Feb. 2011. <http://go.galegroup.com/ps/start.do?p=LitRG&u=cuny_statenisle>. Saler, Benson, and Charles A. (Charles Albert) Ziegler. "Dracula and Carmilla: Monsters and the Mind."
"Dracula: the life of Vlad the Impaler." Kaplan, Arie. Dracula: the life of Vlad the Impaler. New York: The Rosen Publishing Group, Inc., 2012. 145-160, 220-235.
There are many gothic conventions in ‘Dracula’, and this is what makes it an eerie delight for the viewers, as well as making it fit into the ‘gothic’ genre. The movie is cleverly adapted from the book, sharing the same title- that was scribed by Bram Stoker. Some very common gothic elements include the theme of isolation and security. Both of these things can be seen in ‘Dracula’ The theme of isolation is presented by the way Dracula’s castle is shown to the viewers- dark, isolated from any form any other form of civilization in the middle of a great landscape consisting of myriad and secret passageways and being a ruin in itself. The settings presented are also dark and eeire, and Dracula himself lives in solitude with no other companion.
Frankenstein and us Module outline 1) Reading a novel - critical approaches 2)The scientific context of Frankenstein. Experiments in electricity and fictional response 3) The author(ess) Mary and P. B. Shelley: chronology of a love story 4) The text. (your comments) 5) Intertextuality: Frankenstein and the “Ancient Mariner” 6) The novel’s afterlife In the news: ‘Shopping for Humans’ by Jeremy Rifkin 7) Assessment 1) Reading a novel - critical approaches As any literary work, Frankenstein can be read along different lines, approached from different angles. Past and current criticism has explored the following areas, to mention just a few: • The novel as an expansion of the Miltonic theme of the Fall →innocence vs experience in the Biblical sense, i.e. mankind’s experience of evil, experience of guilt and separation.
As preoccupied with propriety as the Victorian era was, it always surprises me to read a classic from this period that could just as easily have been written a hundred years later. Dracula, a novel by Bram Stoker, was published in 1897, but it reads like any horror novel written today. The novel is so modern, in fact, that it has inspired many movie adaptations, two of the most recent being Bram Stoker's Dracula in 1992 and Van Helsing in 2004. Toward the beginning of the novel, when Jonathan Harker is trapped in Dracula's castle, Harker's journal tells how he was waylaid by three female vampires while resting in an ancient section of the castle: "I could feel the soft, shivering touch of the lips on the super-sensitive skin of my throat,
Forward thinking in Dracula. In Bram Stoker’s Dracula, Stoker challenges the Victorian mind in ways that had never been done before. The novel is written in a way to fool readers to think the story is true. He covers subjects of religion, sex and the supernatural in an attempt to expand the shallow thinking of the time. The character of Dracula rarely appears in the text after the first few chapters to create a sense of mystique for Dracula, and by doing so proves Dracula is supernatural.
Why Dracula is a Gothic Novel The horror story Dracula, written by Bram Stoker, is a thrilling novel about the notorious vampire, Dracula, and about a group of men and women who suffered from his evil and fought back. This novel, written in 1897, is one of the most famous gothic novels, and one of the most famous pieces of literature still to this day. The setting of the novel, the terminology, and the deep emotion that Stoker used allows the reader, and literary critics, to classify Dracula as Gothic Literature. The elements that Dracula contains to make it gothic include the setting of a castle, a suspenseful atmosphere, dreams and visions, inexplicable events, overwhelming emotions, distressed women, metonymy of horror, and of course gothic vocabulary. For a novel to be considered gothic, it must contain certain elements; Dracula reflects many of these unique principles.
“How does ‘Shadow of a Vampire’ appropriate the earlier texts of Nosferatu and Dracula and create something new?” Shadow of a Vampire (2000), directed by Elias Merhige, is a film that recreates the making of the 1922 film ‘Nosferatu’. Shadow of a Vampire distorts the reality of what actually went on whilst filming Nosferatu yet appropriates the text to make it entertaining and scary. As Nosferatu is based on Dracula by Bram Stoker, Shadow of a Vampire also becomes an appropriation of this text, mainly using the elements of gothic to create what is essentially a horror movie. An appropriation that adds to the scary nature is the behaviour of Nosferatu director Friedrich Murnau. Murnau’s behaviour is questionable from the early stages of the film.
Matre1 Matt matre Lit form Mr. Hoerner 2-16-10 Bram’s Symbolic scenes In the book Dracula by Bram stoker, Many themes in the story represent a deep meaning, these themes usually reveal a major theme in the book, Bram uses many symbolic scenes that express deeper meanings, express an idea and clarify deeper meaning. One scene from the book Dracula by Bram stoker where symbolisms are used is when Lucy is sleepwalking in the night. When the ship crashes onshore and Dracula gets off. Lucy walks up to the seat that really is a grave, which is her favorite seat. Then Dracula finds her and bites her whereby he starts to drain her blood.
Max Vitagliano Monsters in Literature/ Per. 8 Dracula Essay Topic: Bram Stoker’s Symbolism of Blood With Bram Stoker’s novel, Dracula, the simple idea of blood is seen to be more complex as he likes to apply many themes of symbolism to the idea of blood. This idea of symbolism for blood can be seen for most of the characters in the novel as blood seems to affect all of the characters in a certain way. Two of the most important symbolic ideas for blood in Bram Stoker’s novel would be the idea of blood representing sex and also can represent the ideas of lust. As will be shown, mostly the ideas of symbolism for blood will center on the actions done to and by the characters.